Inspired by the world of superheroes, ‘Super Heroes’ illuminates various facets of heroic characters. The compositions, which inspire young people, offer numerous possibilities for interplay and can unite many players on stage, as the melody parts can be played by both strings and wind instruments. Scenic elements can also be added to creative performances and the multi-part pieces can be worked on in parts so that a good result can be achieved at the end of the rehearsal period, even if the instrumentation changes from week to week. Content: - Flying So High - Dangerous Date - Red Spider - Feeling Great - Made of Metal The following parts are available separately: - 1st voice in C - 1st part in Bb - 1st part in E flat (clarinet in E flat) - 2nd part in C - 2nd part in Bb - 2nd part in E flat (alto saxophone) - 3rd part in C (viola) - 3rd voice in Bb - 3rd voice in Bb (tenor saxophone) - 3rd part in E flat (alto saxophone) - 3rd part in F (horn in F) - 4th voice in C - 4th voice in E flat (baritone saxophone) - 4th part in C (double bass) - 4th part in Bb (bass clarinet) - Piano - Ride cymbals, anvil - congas - Triangle, crash cymbals

Inspired by the world of superheroes, ‘Super Heroes’ illuminates various facets of heroic characters. The compositions, which inspire young people, offer numerous possibilities for interplay and can unite many players on stage, as the melody parts can be played by both strings and wind instruments. Scenic elements can also be added to creative performances and the multi-part pieces can be worked on in parts so that a good result can be achieved at the end of the rehearsal period, even if the instrumentation changes from week to week. Content: - Flying So High - Dangerous Date - Red Spider - Feeling Great - Made of Metal The following parts are available separately: - 1st voice in C - 1st part in Bb - 1st part in E flat (clarinet in E flat) - 2nd part in C - 2nd part in Bb - 2nd part in E flat (alto saxophone) - 3rd part in C (viola) - 3rd voice in Bb - 3rd voice in Bb (tenor saxophone) - 3rd part in E flat (alto saxophone) - 3rd part in F (horn in F) - 4th voice in C - 4th voice in E flat (baritone saxophone) - 4th part in C (double bass) - 4th part in Bb (bass clarinet) - Piano - Ride cymbals, anvil - congas - Triangle, crash cymbals

Inspired by the world of superheroes, ‘Super Heroes’ illuminates various facets of heroic characters. The compositions, which inspire young people, offer numerous possibilities for interplay and can unite many players on stage, as the melody parts can be played by both strings and wind instruments. Scenic elements can also be added to creative performances and the multi-part pieces can be worked on in parts so that a good result can be achieved at the end of the rehearsal period, even if the instrumentation changes from week to week. Content: - Flying So High - Dangerous Date - Red Spider - Feeling Great - Made of Metal The following parts are available separately: - 1st voice in C - 1st part in Bb - 1st part in E flat (clarinet in E flat) - 2nd part in C - 2nd part in Bb - 2nd part in E flat (alto saxophone) - 3rd part in C (viola) - 3rd voice in Bb - 3rd voice in Bb (tenor saxophone) - 3rd part in E flat (alto saxophone) - 3rd part in F (horn in F) - 4th voice in C - 4th voice in E flat (baritone saxophone) - 4th part in C (double bass) - 4th part in Bb (bass clarinet) - Piano - Ride cymbals, anvil - congas - Triangle, crash cymbals

Der zweite Band des Fiddleclubs stellt eine Fülle von Spielstücken für die Triobesetzung zur Verfügung und schließt sich im Schwierigkeitsgrad nahtlos an Band 1 an. Stilistisch geht es von der Renaissance bis zur Romantik, von Folksongs aus verschiedenen Ländern bis zu Spirituals und Kompositionen in verschiedenen populären Stilarten. Inhalt: - Bagatelle - Amazing Grace - Der Winter ist vergangen - Malbrough - Rock My Soul - Mowing the Barley - Ay, linda amiga! - This Old Man - Weiche Pfoten schleichen nachts - Villanelle - A Happy Journey - Rigaudon - Der alte Schaukelstuhl - Der tropfende Wasserhahn - Shady Grove - Der Dreher - Unterwegs im Elfenland - Schattenspiele- - Flaschenpost - Allegretto - La digue digue don - China Strings - Andante cantabile - Por la noche - Allemande - Ostertalsmarsch - The Gospel Train - Al paño fino - Bunt sind schon die Wälder - Relaxin' - Präludium - What if a Day - Skateboard-Meeting Band 1: N 2707

Leichte Stücke für 3 Violinen in einer bunten Mischung verschiedener Stile von Renaissance bis Romantik, von Folksongs über Blues bis zum Jazz und Latin Style. Beginnend mit der 1. Griffart, erweitert sich der Tonumfang der Stücke schrittweise bis zur kompletten 1. Lage. Inhalt: - Fröhlich segeln wir dahin - Allemande - Unser Katz hat Katzerln g'habt - Atte katte nuwa - Donnerblitz und Flügelschlag - Little Brown Jug - ¿Donde vas, buen caballero? - Grün, Grün, Grün - Country Waltz - Polly Wolly Doodle - Bingo - Skip to My Lou - Michael Row the Boat Ashore - Lieber Bruder, tanz mit mir - Five Hundred Miles - Can the Circle Be Unbroken - She'll Be Coming 'round the Mountain - Vive l'amour - Abendlied - Bed on the Floor - Tanz - Die Wolken ziehn herbei - Chorea Anglica - Es klapperten die Klapperschlangen - Anglica - Bubble Gum Stomp - Going Down the Road Feeling Bad - Bahama Beach Dance - Fit For Fun Band 2: N 2708

Content: -Largo - Allegro - Largo - Allegro

Das Gedicht "Gruselett" ist Christian Morgensterns "Galgenliedern" (1905) entnommen. Die englische Übersetzung, die hier benutzt wurde, hat der Komponist selbst angefertigt. Die Priorität lag dabei auf dem Klang und der "Sprechfähigkeit" der Worte, um den Interpreten die Aufführung zu erleichtern. Die Wechselwirkung der Worte und der Musik wird am besten erreicht, wenn alle drei Instrumentalisten gleichzeitig spielen und sprechen, obwohl theoretisch das Spielen und Sprechen auch von verschiedenen Personen übernommen werden kann. Sprech- und Instrumentalstimme sollten wie zweistimmige Inventionen auf dem Klavier gelernt werden, da sich der rhythmische Fluss aus dem Zusammenspiel von Sprechen und Spielen ergibt. Ein gewisser Grad an Theatralik steigert den dunklen, mysteriösen Aspekt des Stückes und verlangt vom Spieler den einfallsreichen Gebrauch seiner Stimme. Der Komponist schrieb das Stück für ein junges Streichtrio aus Neuss, das es 2008 erfolgreich bei "Jugend musiziert" aufführte.

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly the same as in volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period; the first and second parts are on an equal footing and alternate - together with the piano - in the melodic direction. The bass part has gained in independence compared to volume 1; the bass and percussion can be omitted without detracting from the musical sense, but they do enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

The first volume of the “Musik im Team” series contains chamber music for the beginning (lower level) of piano lessons. The piano parts of the familiar children's songs and popular folk songs are designed so that they can be played by pupils after the first year of lessons for the most part, but also earlier in some cases. The melody parts can be played in single and multiple instrumentation. The second part does not have an accompanying function, but is on a par with the first. The bass and percussion parts are to be used ad libitum. Both can be omitted without detracting from the musical meaning. Two verses of all the songs have been composed. The melody distribution and the instrumentation have been varied in the 2nd verse. “Music in a team” is continued in ascending levels of difficulty. Content: 1. Auf unsrer Wiese gehet was 2. Ein Vogel wollte Hochzeit machen 3. Sur le pont d'Avignon 4. O du lieber Augustin 5. Swing Low, Sweet Chariot 6. My Bonnie Is Over The Ocean 7. Der Mai ist gekommen 8. Es klappert die Mühle am rauschenden Bach 9. Oh, When The Saints Go Marchin' In

Making music together in an ensemble gives all instrumental students great pleasure and is an important part of their musical education. The series ‘Music in a Team’ takes up the recommendations of the VdM's expert commission ‘Piano players as music-making partners’ and offers the opportunity to gain chamber music experience. This volume contains works from the Baroque and Classical periods arranged for 2 identical or different melody instruments, piano, bass and percussion. Multiple instrumentation is also possible. The first and second parts are equal and alternate melodically together with the piano. The bass part has gained in expressiveness and, together with the percussion, complements the sound in a marvellous way. Both parts can be omitted without detracting from the musical sense. The pianistic level of difficulty corresponds predominantly to the original composition. Content: 1. Sarabande und Variation ( Georg Friedrich Händel) 2. Menuett (Johann Sebastian Bach) 3. Musette (Johann Sebastian Bach) 4. Musette (Leopold Mozart) 5. Kontretanz (Wolfgang Amadeus Mozart) 6. L. Mozart: Schwabentanz (Leopold Mozart) 7. W.A. Mozart: Menuett (Wolfgang Amadeus Mozart) 8. L. Mozart: Polonaise (Leopold Mozart) 9. Deutscher Tanz, WoO 13, 6 (Ludwig van Beethoven) 10. Deutscher Tanz, WoO 13, 11 (Ludwig van Beethoven) 11. Menuett (Ludwig van Beethoven)

The 5th volume of the series gives young musicians the opportunity to play together on festive occasions - birthdays, baptisms, weddings, anniversaries, etc. - to make music together in the familiar instrumentation and thus serenade with chamber music The 5th volume in the series gives young musicians the opportunity to play together in the familiar instrumentation on festive occasions - birthdays, christenings, weddings, anniversaries etc. - to make music together in the familiar instrumentation and thus perform chamber music serenades. The ‘Air’ from the Grobschmied Variations has been transposed to G major in order to minimise technical difficulties in the melody parts. The first and second voices are on an equal footing and alternate melodically together with the piano. The bass part has gained in expressiveness and, together with the percussion, complements the sound in a marvellous way. Both parts can be omitted without detracting from the musical sense. Content: 1. Birthday 2. Good luck and many blessings (Werner Gneist) 3. Let him live high 4. Gavotte, French Suite No. 5, BWV 816 (Johann Sebastian Bach) 5. Air, ‘Grobschmied - Variations’, Suite No. 5, HWV 430 (George Frideric Handel) 6. Gavotte, Aylesford Collection (George Frideric Handel) 7. Aria, Suite No. 3, 1st Collection, HWV428 (George Frideric Handel) 8. Great God, we praise you 9. Faithfully guided, Lohengrin (Richard Wagner)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)