From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. The Concerto in F major for violin, harpsichord and strings (Hob. VII:1) is one of the earliest concertante works by Joseph Haydn - and is also a musical curiosity. The rare combination of two equal solo instruments makes the work an exciting dialogue between two worlds of sound. Haydn unfolds baroque elegance and classical clarity here. This edition is scored in B flat major for trumpet (Bb) and piano. Level of difficulty 4 : Compared to the original, the piano writing has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

Die Leichten Ragtime-Trios sind ein Beitrag, den musikalischen Alltag durch das motivierende Ensemblespiel zu bereichern. Alle Arrangements sind im leichten Schwierigkeitsgrad gehalten. Inhalt: - The Easy Winners (Scott Joplin) - The Entertainer (Scott Joplin) - Dickie's Rag (Uwe Heger) - The Strenuous Life (Scott Joplin) - The Sycamore (Scott Joplin)

Die vorliegenden sechs Trios stehen in vier verschiedenen, auch für Anfänger leicht zu spielenden Tonarten. Kleine Vor- und Nachspiele umrahmen die Arrangements. Inhalt: - Guten Abend, gute Nacht - Bruder Jakob - Weißt du, wieviel Sternlein stehen - Guter Mond, du stehst so stille - Dat du min Leevsten büst - Es waren zwei Königskinder

Swinging Christmas songs in canon or ensemble Lovers of the well-known street music series can now look forward to Christmas. Uwe Heger has arranged 50 well-known and popular Christmas songs such as ‘Alle Jahre wieder’, ‘Jingle Bells’, ‘The First Noël’ and many more in the style of street music. The result is sonorous canons for two to three instruments that are suitable for lessons, recitals and celebrations. As usual with the street music series, there are no turning points. All editions of ‘Christmas Street Music’ can be combined with each other. Chords have been added to all pieces for accompaniment with keyboard instruments. The pieces are also available individually as pdf files. Click on the drop-down menu under ‘Edition (please select)’.

Nicolas Le Bègue (1631–1702) is one of the most important organists and composers of the early French Baroque period. As court organist at the French royal court, he influenced an entire generation of musicians, including the young François Couperin. His works are characterised by delicate ornamentation, clear structures and a festive, meditative character. Nicolas Le Bègue published several Christmas pieces in his third ‘Livre d'Orgue’, which, with their lively alternation of folk melodies and spirited variations, are among the most beautiful of their kind. The three Christmas pieces presented here – originally composed for keyboard instruments – have been sensitively arranged for trumpet and organ by Eberhard Kraus (1931-2003). In this instrumentation, they unfold their full sonic splendour and are ideal for the musical accompaniment of festive church services or Christmas concerts. Content: 1. Puer nobis nascitur 2. Une Vierge Pucelle 3. Noël pour l'amour de Marie

30 of the best-known Christmas carols from Germany, France, England, America and Switzerland... The accompaniment option with a guitar or another harmony instrument can be realised ad libitum with the enclosed part (chord symbols).

The great Christmas carols collection for brass ensemble, wood wind and outer voice ad.lib. The following individual parts are available: Trumpet 1 and 2 in Bb, Flugelhorn 1 and 2: N 3950 Trumpet upper part in Bb: N 3951 Horn in F (treble clef): N 3952 Tenor horn / tenor saxophone in Bb : N 3953 Horn in E flat : N 3973 Trombone 1 and 2 / Baritone 1 and 2 in C: 3967 Tuba in C: 3968 Tuba in E flat / Baritone saxophone (treble clef): 3969 Clarinet in E flat / Alto saxophone: 3974 Transverse flute in C: 3975

The aim of Let's rag... is to make ragtime music accessible to a large number of instrumentalists. The choice of easy-to-play keys and the shortening of the original length to a manageable two piano pages per ragtime allows players to realise these arrangements without time-consuming preparation. The advantages of the Let's rag arrangements include the simplification of the rhythmic notation by doubling the note values from 2/4 time to alla breve 4/4 time. This means that even instrumentalists with less playing experience can enjoy this lively music. Content: - The Easy Winners - Peacherine Rag - Maria's Rag - The Entertainer - The Sycamore - Dickie's Rag - Sunflower Slow Drag - The Strenuous Life - Little Annie's Swing Rag - The Ragtime Dance An accompanying CD is available for this sheet music, which offers musicians a practical supplement (N 4800).

Well-known Advent and Christmas carols in an arrangement for 2 trumpets (B flat) and 2 trombones.

This volume contains selected songs by Willy Schneider, arranged for two soprano recorders. The scope and keys of the songs included have been chosen so that they are also suitable for various wind instruments such as trumpet, flugelhorn, French horn or clarinet, thus offering amateur wind musicians an atmospheric Christmas collection. All pieces include the complete lyrics and are suitable for both playing and singing along. The collection is ideal for ensembles, schools and musicians looking for an easy-to-play repertoire for the Advent and Christmas season.

From ‘Solomon’, Act 3, HWV 67 George Frideric Handel's (1685-1759) festive and lively sinfonia ‘ The Arrival of the Queen of Sheba ’ from the oratorio Solomon is one of his best-known and most popular works. The characteristic blend of Baroque splendour, dance-like lightness and melodic clarity makes the piece a highlight in concerts and church services. In the arrangement by Arvid Gast (organ) and Joachim Pliquett (trumpet), the work is given an impressive sonic transformation for two instruments. The trumpet takes on the radiant upper voices, while the organ fills the orchestral part with baroque splendour and rhythmic precision. This version is ideal for festive occasions, church celebrations and as an effective concert opener. A classical work of the Baroque period – newly interpreted in a playful and audience-friendly arrangement. Content: 1. Allegro