3rd Symphony, Op. 55, 1st Movement re imagined : Well-known works in a new light. Beethoven’s Eroica first movement, arranged for solo guitar : Arjan Nijk draws on idiomatic guitar techniques such as bass lines combined with arpeggios in the upper strings, broken octaves, and tremolo to recreate the orchestral texture on a single instrument. The development and coda have been shortened to avoid excessive repetition of harmonic and musical patterns. Most dynamics and articulation markings are taken from the original score and can be adapted to suit the performer’s individual interpretation. This edition is also suitable for performance on a historical instrument.

The “dumb it down” series offers simplified piano accompaniments to works for violin, viola, cello, double bass, flute, clarinet, and other instruments. Johann Baptist Vanhal (1739–1813) was a Bohemian composer of the Viennese Classical period and a contemporary of Haydn and Mozart. His Concerto in D major for double bass and orchestra is part of the double bass repertoire; this simplified version for double bass and piano is in C major and is arranged for the orchestral tuning (E–A–D–G). Another edition of Vanhal’s Concerto for Double Bass and Piano, in D major, is available under item number 6596 .

The “dumb it down” series offers simplified piano accompaniments to works for violin, viola, cello, double bass, flute, clarinet, and other instruments. Johann Baptist Vanhal (1739–1813) was a Bohemian composer of the Viennese Classical period and a contemporary of Haydn and Mozart. His Concerto in D major for double bass and orchestra is part of the standard repertoire for double bass; this simplified version for double bass and piano is also in D major and is arranged for the solo tuning (F♯–B–E–A). Another edition of Vanhal’s Concerto for Double Bass and Piano, in C major, is available under item number 659 7 .

With explanations and over 180 practice questions on all aspects of the cello Teaching students theoretical knowledge is no easy task. However, Maria Evers and Andreas Franzky provide a brief and clear explanation for every musical term and musical symbol that frequently appears in cello publications. In the entertaining questions that follow, the material is considered from a variety of perspectives, thereby reinforcing it. A knowledge quiz at the end of each of the three sections reinforces this process. A publication that not only motivates younger students but is also engaging for older cellists.

European Folksongs for 2 Guitars This collection brings together 13 well-known and popular folk songs from various regions of Europe, arranged for two guitars. The pieces have a difficulty level ranging from easy to moderately difficult and are aimed at anyone wanting to develop their ensemble playing or discover new timbres. The aim of this edition is to bring familiar melodies to life in an accessible form, as well as teaching different playing techniques in a practical way.

Sound Quality, Technique & Joy of Playing from the Start This collection is a true treasure for young flutists on their journey to great virtuosity: With 100 short, carefully selected exercises, the book offers a solid and versatile foundation for daily lessons – whether in individual or group settings. Familiar themes, melodies, dances and clever canons provide variety and motivation. The range remains beginner-friendly (mostly D1 to E3), and the musical material covers numerous major and minor keys. At its core are four pillars of successful flute playing: good posture, natural breathing, a balanced tone in all registers, and targeted technique training. Particularly ingenious: The “Speed it up!” exercises promote finger technique and a sense of pace in a playful way. The sheet music is complemented by a practical accompanying booklet with 25 pieces that can be accompanied by guitar or piano using chord symbols. A high-quality insert with daily exercises completes the set.

New and old songs for 1 or 2 soprano recorders A colourful songbook for young recorder players Wherever the Flötenvogel chirps, music is in the air! Flötenvogel’s Playground is a lovingly designed collection of children’s songs and folk songs that turns playing the recorder into a musical experience for the very youngest. This edition builds on the popular recorder method book Der Flötenvogel – a classic that has been guiding children into the world of music for decades. Whether used as a supplement to Part 2 of the method or as a standalone activity book, this edition playfully develops musical skills such as a sense of rhythm, key changes and ensemble playing. Thanks to the larger-sized notes, even untrained eyes can follow along easily – a real bonus in early instrumental lessons. Captivating arrangements, simple movement ideas and an invitation to make music freely turn the ‘playground’ into a place full of sound and creativity. And when the summer fete, school performance or family concert comes around, young recorder players are guaranteed to have something up their sleeves that will delight everyone! A book for anyone who wants to experience music with joy, movement and imagination.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.