With explanations and over 180 practice questions on all aspects of the cello Teaching students theoretical knowledge is no easy task. However, Maria Evers and Andreas Franzky provide a brief and clear explanation for every musical term and musical symbol that frequently appears in cello publications. In the entertaining questions that follow, the material is considered from a variety of perspectives, thereby reinforcing it. A knowledge quiz at the end of each of the three sections reinforces this process. A publication that not only motivates younger students but is also engaging for older cellists.

European Folksongs for 2 Guitars This collection brings together 13 well-known and popular folk songs from various regions of Europe, arranged for two guitars. The pieces have a difficulty level ranging from easy to moderately difficult and are aimed at anyone wanting to develop their ensemble playing or discover new timbres. The aim of this edition is to bring familiar melodies to life in an accessible form, as well as teaching different playing techniques in a practical way.

Sound Quality, Technique & Joy of Playing from the Start This collection is a true treasure for young flutists on their journey to great virtuosity: With 100 short, carefully selected exercises, the book offers a solid and versatile foundation for daily lessons – whether in individual or group settings. Familiar themes, melodies, dances and clever canons provide variety and motivation. The range remains beginner-friendly (mostly D1 to E3), and the musical material covers numerous major and minor keys. At its core are four pillars of successful flute playing: good posture, natural breathing, a balanced tone in all registers, and targeted technique training. Particularly ingenious: The “Speed it up!” exercises promote finger technique and a sense of pace in a playful way. The sheet music is complemented by a practical accompanying booklet with 25 pieces that can be accompanied by guitar or piano using chord symbols. A high-quality insert with daily exercises completes the set.

Neue und alte Lieder für 1 oder 2 Sopranblockflöten Ein kunterbuntes Spielbuch für junge Blockflötist*innen Wo der Flötenvogel zwitschert, da wird musiziert! Mit Flötenvogels Spielwiese erscheint eine liebevoll gestaltete Sammlung von Kinder- und Volksliedern, die das Blockflötenspiel für die Jüngsten zu einem musikalischen Erlebnis macht. Die Edition knüpft an die beliebte Blockflötenschule Der Flötenvogel an – ein Klassiker, der seit Jahrzehnten Kinder beim Einstieg in die Welt der Musik begleitet. Ob als Ergänzung zu Teil 2 der Schule oder als eigenständiges Spielheft: Diese Ausgabe fördert spielerisch musikalische Fähigkeiten wie Rhythmusgefühl, Tonartwechsel und Zusammenspiel. Dank der größer gesetzten Noten behalten auch noch ungeübte Augen den Überblick – ein echter Pluspunkt im frühen Instrumentalunterricht. Mitreißende Arrangements, kleine Bewegungsideen und die Einladung zum freien Musizieren machen die „Spielwiese“ zu einem Ort voller Klang und Kreativität. Und wenn dann das Sommerfest, die Schulaufführung oder das Familienkonzert anstehen, haben junge Flötist*innen garantiert etwas in petto, das begeistert! Ein Heft für alle, die Musik mit Freude, Bewegung und Fantasie erleben wollen.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

- based on a theme from the 16th century. Julian Schlitzer enriches the ukulele repertoire with virtuoso ‘Folia Variations’, which combine baroque tradition and modern playing techniques. The folia, originally a wild dance from Portugal, has become an integral part of music history over the centuries. Schlitzer makes full use of the tonal possibilities of re-entrant tuning - from strumming and tremolo to tapping. This edition is part of the ‘Elisabeth Pfeiffer presents Ukulele’ series published by Heinrichshofen Verlag, which establishes the ukulele as a versatile solo instrument. The ‘Folia Variations’ are both a demanding concert piece and a didactic etude - ideal for advanced players who want to expand their technical repertoire. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Max Bruch is one of the composers of the Romantic period. The Romance is one of three works he wrote for viola - an instrument that only played a minor role in the concert repertoire at the time. Bruch created these compositions in the last years of his life. The original scoring of the Romance op. 85 was for viola and piano. The version presented here is an arrangement for clarinet and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’