Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia The parts can be ordered separately under the order number N3792a.

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content : 1. “Eine kleine Ostermusik” on the chorale 'Christ ist erstanden' 2. “Air de trompette” (Georg Philipp Telemann) 3. Prince of Denmark's March (Jeremiah Clarke) 4. Sonata (Daniel Speer) 5. Great God we praise you (Choral) 6. Trumpet Voluntary (William Boyce)

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content: 1. Voluntary (John Stanley) 2. La Grace (Georg Philipp Telemann) 3. Nun danket alle Gott (after Johann Sebastian Bach ) - 3 movements 4. Canzona à 4 (Uwe Heger) 5. Voluntary (John Barrett)

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content: 1. Dona nobis pacem (canon & upper part) 2. Prelude (Marc Antoine Charpentier) 3. Marvellous king (Johann Christoph Oley) 4. Voluntary (Simon Stubley) 5. Allemande (Claude Gervaise) 6. Trumpet Tune (Henry Purcell)

These duets are addressed to trumpet students who have already mastered the basics and are looking for new musical challenges. The compositions are structured in such a way that they enable a gradual introduction to more complex keys and differentiated tonal combinations, thus promoting both intonational and tonal development.

This quartet composition represents an attempt to combine different musical stylistic elements - including various jazz styles, atonality, motivic-thematic work and improvisational approaches - in a coherent musical context.

A large collection of small pieces for 3-5 and more (natural) trumpets and timpani ad libitum. Content: 1. Toccata (Claudio Monteverdi) 2. Aufzug (Georg Daniel Speer) 3. Zwei Aufzüge (Georg Daniel Speer) 4. Drei Intraden (Johann Christoph Pezel) 5. Marcia-'Für die Arche' (C. Ph. E. Bach) 6. Tricinium / Polonaise (Johann Ernst Altenburg) 7. Quatricinium (Johann Ernst Altenburg) 8. Drei Märsche (John Hyde) 9. Fanfaren-Tusch (1806) (C. M. von Weber) 10. Drei Fanfaren (Sigismund Ritter von Neukomm) 11. Galop Nr. 4 (H. Schiltz) 12. Trio Nr. 5 (Francois George Auguste Dauverné) 13. Quartett Nr. 4 (Francois Georg Auguste Dauverné) 14. Fanfare for St. Edmundsbury (1959) 'Edward Benjamin Britten)

Ragtimes for 4 trumpets | French horns | Tenor horns | Clarinets Scott Joplin's ‘The Entertainer’ and ‘The Ragtime Dance’ appear here in full length; a piccolo trumpet can be added to the ‘Entertainer’ and the ‘Ragtime Dance’ includes the players' foot stomping in the final section. ‘Little Annie's Swing Rag’ by Uwe Heger offers the unusual possibility of playing a ragtime in swing style and using mutes. Contents: The Entertainer - Scott Joplin Little Annie`s Swing rag - Uwe Heger The Ragtime Dance - Scott Joplin