Napoléon Coste’s 25 Études , Op. 38, are part of the established study repertoire for the classical guitar of the 19th century. The collection comprises 25 pieces for guitar and has been handed down under the French title ‘Vingt-cinq études de genre pour la guitare’. This edition has been edited by the Austrian guitarist and teacher Luise Walker, who has also provided fingering.

Matteo Carcassi’s 25 Études , Op. 60, are part of the established classical guitar repertoire. The collection comprises 25 études for solo guitar and has been handed down under the title ‘25 Études mélodiques et progressives’. In these études, Carcassi combines technical exercises with melodically structured musical phrases. This edition, edited by Carl Dobrauz, presents the 25 Études, Op. 60, in a score suitable for guitar lessons and study. Carcassi’s Études, Op. 60, have been published in numerous historical and modern editions and are among the most frequently used study pieces in classical guitar literature.

Melodic Studies for Flamenco and Classical Guitar With Georg Rist’s exercises, beginners become acquainted with the various forms of arpeggios, while more advanced players can use them to refine their technique and develop greater playing endurance. The tremolo, for which the term “Spanish silver tones” is perhaps the most evocative description, is undoubtedly one of the most beautiful and fascinating techniques of guitar playing. A flexible command of arpeggio technique is likewise indispensable both for proficiency on the classical guitar and for the performance of flamenco pieces. The accompanying playing material provides an additional opportunity to develop this skill through practical application.

From Spain to Latin America The successful author Hans Joachim Teschner now presents an accompanying volume with typical songs from Spain and Latin America (including Brazil and Argentina) for two guitars for the well-known guitar school ‘Fridolin’. Both the 1st part, arranged as a melody, and the accompanying 2nd guitar part are very easily arranged. As the 1st part can also be taken over by a melody instrument, there are many possibilities for playing together. Content: - Tres hojitas (Asturien) - Ay, linda amiga! (Kastilien) - Al lado de mi cabana (Leon) - Viva lo blanco! - El noy de la mare (Katalogien) - El Vito (Andalusien) - Viva Espana Y Sevilla! (Sevilla) - Anda jaleo (Andalusien) - Al pano fino (Andalusien) - La pajarera (Mexiko) - Sambalelé (Brasilien) - Nesta Rua (Brasilien) - Acordai Doncela (Brasilien) - Zamba Vargas (Argentinien)

Fridolin sings and plays: With sometimes cheeky, sometimes contemplative songs, he makes his vocal chords and the six strings of his guitar vibrate. Anyone who joins him will find additional playing material for all levels of beginners' lessons, from the first stroke of empty strings to reaching two-part playing. Intended primarily for younger players, the pieces are suitable for consolidating the respective learning levels. Content: - Glockenklang - Es brennt - In dem dunklen Winterwald - Schreihälse - Gleich, gleich, gleich - Gockelalarm - Drachenflug - Der Komet - Kuckuck - Meine arme Nase - Zum Geburtstag - In der Hexenküche - Heja hoh - Liebe Mutter - Im Spukhaus - Abendlied - Unser Katz hat Katzerln g’habt - Der Kuckuck und der Esel - Der Gartenzwerg - Müll fressen - Fünf Berliner wollten mal - Brumm, brumm, brumm - Laurentia, liebe Laurentia mein - Mein Hut, der hat drei Ecken - Die Straßenbahn ist rappelvoll - Drei Chinesen mit dem Kontrabass - Der Elefant ist meistens dick - Fasten ist doof - Ich lieb’ die Blumen - Ich wohnte einst im Tintenfass

From spring 2013, the song accompaniment to Fridolin will also be available in an updated version with a new layout. The version with many new songs can now also be used alongside Fridolin . The most important chords and strumming patterns are worked out in the familiar way. The CD, which is now also available, features all the songs with vocals and guitar. A theory section rounds off the volume. Edition with CD: Publisher's No. N 2702 Single CD: Publisher's No. N 2703 Content: - Fröhlich segeln wir dahin - Funga a la fia - Rock My Soul - Hejo, spann den Wagen an - Der Kuckuck und der Esel - Winter ade - Atte katte nuwa - Nun wollen wir singen - Wachet auf, wachet auf - Kein schöner Land - Go, Tell Aunt Rhody - Grün, grün, grün - Seht ihr dort Avignon? - Gummiball-Kanon - Bingo - Ich lieb' die Blumen - What Shall We do With the Drunken Sailor - Joshua Fought the Battle of Jericho - Drei Chinesen mit dem Kontrabass - Es klapperten die Klapperschlangen - Ein Vogel wollte Hochzeit machen - He's Got the Whole World in His Hands - Alle Vögel sind schon da - Sascha liebt nicht große Worte - Heb 'ne Tante aus Marokko - Auf der Mauer, auf der Lauer - Oh My Darling Clementine - Meine Oma fährt im Hühnerstall Motorrad - Tom Dooley - Go Down, Moses - Es lebt der Eisbär in Sibirien - Polly Wolly Doodle - Es war eine Mutter, die hatte vier Kinder - Amazing Grace - Froh zu sein bedarf es wenig - Michael, Row the Boat Ashore - Die Affen rasen durch den Wald - Oh Susanna - Mein Hut, der hat drei Ecken - The House of the Rising Sun - Down in the Valley - Morning Has Broken

Methodically selected songs - consistently small steps: Fridolin's Guitar Coach is a new volume of the popular guitar school that can be used both as a play and practice book and as a stand-alone textbook. The guitar coach accompanies anyone who wants to make rapid progress from the first note to two-part playing. Guitar playing from sheet music is learnt as if by chance, as the focus is not on etudes and exercises, but on over 100 songs, folk songs and pop compositions. Explanations of new notes and musical symbols are reduced to references in the musical text and are clearly presented in the appendix of the booklet. Edition with CD: N 2801 CD single: N 2802 Part One - Songs to learn and play - The repeat sign - The g-string - The b-string - The d-string - The note a on the g-string - Alternate strokes and thumb stroke - The note c' on the b string - The 3/4 time signature - The dotted half note - The note d' on the b string - The repeat signatures - The upbeat - The note e on the d string - Eighth notes - The A string - The note e‘ on the e’ string - The note c on the A string - The note B on the A string - The quarter rest - The note f‘ on the e’ string - The note g‘ on the e’ string - The 1st and 2nd brackets - The note G on the E string - The low E-string - The tie - The dotted crotchet - The note f on the d-string - The note F on the E string - The half rest - The 6/8 time signature - The quaver rest - Displacement sign Part two - Two-part playing - Playing in two voices with the open string - The simultaneous attack of melody and bass voice Part three - Song accompaniment - Strumming the chords - The downstroke - G major fingering - The A minor chord - Very simple chord fingerings for C and G7 - Accompaniment with downstrokes and upstrokes The basics - theoretical foundations Songs and pieces: Übung Nr. 1-10, Alouette, A Pocket Trip, Asturias, Atte katte nuwa, Auf einem Baum ein Kuckuck saß, Auf hoher See, Aura Lee, Backwater Blues, Bed on the Floor, Bin aus Kuttenberg, Brüderchen, komm, tanz mit mir, Break Dancer, Buffalo Boy, Can the Circle be Unbroken, Careless Love, Der Kirschenbaum, Der Kuckuck und der Esel, Der Winter ist vergangen, Die Schatten werden länger, Down by the Station, Ein Schneider fing ‘ne Maus, Eine Taube, Emmas Walzer, Es geht ein‘ dunkle Wolk herein, Es klappert die Mühle, Es klapperten die Klapperschlangen, Es lebt der Eisbär in Sibirien, Es war eine Mutter, Es war ein König in Thule, Eu e você, Fernseh-Song, Fing mir eine Mücke heut, Foi na loja do mestre André, Folies d‘Espagne, Good Morning, Going Down the Road Feeling Bad, Go Tell Aunt Rhody, Grün, grün, grün, Halleluja, I‘m a Bum, Halloween-Rap, He‘s Got the Whole World in His Hands, Hickory, dickory, dock, Ich lieb‘ die Blumen, Im Morgenrot erglüht der Osten, Kings of Orient, Kommt ihr Brüder, Kum ba yah, my Lord, La Follia, London Bridge, Meister Jakob, Michael, Row the Boat Ashore, Molly Malone, Morning Has Broken, Nightloop, No se va la paloma, Nun ruhen alle Wälder, Nun wollen wir singen, Oh my Darling, Clementine, Oh, Susanna, Plaisir d‘amour, Rockabella Bounce, Rock my Soul, Sambalelé, Shady Grove, Sitzt ein klein‘s Vöglein im Tannenbaum, Step by Step, Så lunka vi så småningom, Tanz, Tein minä pillin pajupuusta, Ten Little Indians, The Mulberry Bush, This Old Man, Three Jolly Rogues of Lynn, Turn the Singing Girls Around, Unten in Valtou, Vart modersmål er dejligt, Vem kan segla, Vidalita, Wan Tan Spezial, Was soll das bedeuten, Weißt du, wieviel Sternlein stehen?, What Shall We Do With the Drunken Sailor?, Wir freuen uns, Auf tiefen Saiten: Auf der Mauer, auf der Lauer, Drei Chinesen mit dem Kontrabass, Es geht ein’ dunkle Wolk herein, Fing mir eine Mücke heut, Folies d‘Espagne, Grün, grün, grün, Oh, Susanna, This Old Man, Wir freuen uns.

19 European and American carols for the Christmas season,arranged for 3 guitars

The movements are intended to give beginners the opportunity to play the melodies of Christmas carols in two parts with very easy lower parts consisting mainly of empty strings. The songs can also be played with the following instruments: 1. 3 fiddles 2. 2 violins and a viola (or cello) 3. Melody: treble fiddle, bass fiddle, violin, viola plus a second guitar

These Christmas carols for guitar are easily arranged to enable many (and also very young) guitarists to practise them. Guitar students who have only been playing for a short time will find very easily set songs in the second part of the book in the second position (most of which can also be played in the first position). All songs can also be played with two guitars, as they are all set in two parts. In addition, melodies (played or sung) can also be accompanied with the chords given. The pieces are also available individually as pdf files. Click on the drop-down menu under “Output (please select)” Content: I. position Alle Jahre wieder Am Weihnachtsbaum Es kommt ein Schiff geladen Heiligste Nacht Ihr Kinderlein kommet In dulci jubilo Jingle Bells Joseph, lieber Joseph mein Kling, Glöckchen, klingelingeling Komm, wir geh'n nach Bethlehem Kommet, ihr Hirten Lasst uns das Kindlein wiegen Lasst uns froh und munter sein Leise rieselt der Schnee Maria durch ein Dornwald ging Morgen, Kinder, wirds was geben Morgen kommt der Weihnachtsmann O du fröhliche, o du selige O Tannenbaum Schneeflöckchen, Weißröckchen Still, still, still Stille Nacht, heilige Nacht Was soll das bedeuten Zu Bethlehem geboren II. position (slightly set) Alle Jahre wieder Am Weihnachtsbaum Ihr Kinderlein kommet Lasst uns froh und munter sein Morgen kommt der Weihnachtsmann Schneeflöckchen, Weißröckchen Was soll das bedeuten

"De Colores" beinhaltet acht bekannte Volkslieder aus Spanien, Mexiko, Brasilien und Chile. Die Ausgabe bietet Material für unterschiedlichste Besetzungen: Gitarrentrio oder -quartett; gemischtes Ensemble mit zwei Melodieinstrumenten, Akkordgitarre und Bassinstrument. Die 4. Stimme (ad libitum) liegt im Violin- und Bassschlüssel bei. Inhalt: 1. Clavelitos (Spanien) 2. El Pano (Spanien) 3. La Llorona (Mexiko) 4. De Colores (Mexiko) 5. Canto Antigo (Brasilien) 6. Chorinho (Brasilien) 7. Yo vendo unos ojos negros (Chile) 8. El Copihue (Chile) Hörbeispiele von der Rotenburger Gitarrenwoche 2016:

Grundlage der Ausgabe "Märchenhaftes für 3 Gitarren" sind verschiedene Märchen von Lyman Frank Baum (Der Zauberer von Oz) und den Gebrüdern Grimm (Die sieben Raben). Roman Rothen hat sich bei seinen Kompositionen nämlich an den Handlungen der Märchen orientiert und die jeweiligen Stimmungen durch passende Melodien und effektvolle Akkorde eingefangen. Geeignet sind die Gitarrenstücke vor allem für SchülerInnen der Mittelstufe mit Freude an programmatischen Musiktiteln. Inhalt: - Die Sterne - Wiedersehen - Horizont - Die wunderbare smaragdene Stadt von Oz - Der Schlaf der Dorothy - Der Morgenstern - Das Schloss der Hexe des Westens - Jealous - Die sieben Raben - Der Angriff der Kampfbäume