Die Stücke sind auch einzeln als pdf-Datei erhältlich. Klicken Sie auf das Drop-down-Menü unter "Ausgabe (bitte auswählen)" Inhalt: - What if a day - Dance - Jewell - Callino Casturame - Stanes Morris - Volt - The Sick Tune - The French Kinges Maske - Packington's Pound - A Toy - Kemp's Jig - Willson's Wilde - Toy - Robinson's May - Parson's Farewell - Niederländischer Rundtanz - Der Fuggerin Tanz - Echo - Welscher Tanz - Branle Englese - Spagnoletto - Bianco Fiore - Ballet Englese - Fortuna Englese - Gavotte I-IV

Inhalt: - Johann Kuhnau, Gavotte - Johann Matheson, Allegro molto

Songs, gospels and spirituals for two players on one guitar As early as the 16th century, John Dowland (1562–1626) realised the idea of a work for two players with his famous Galliard for lute. Reinhard Kaiser takes up this charming concept, long forgotten, in his editions *Friends I* and *Friends II*, and develops it further in a contemporary style. This volume is devoted to a varied selection of songs, gospel pieces and traditional tunes.

Blues, jazz and Latin American-inspired compositions for two players on one guitar As early as the 16th century, John Dowland (1562–1626) realised the idea of a work for two players with his famous Galliard for lute. Reinhard Kaiser takes up this charming concept, long forgotten, in his editions *Friends I* and *Friends II*, and develops it further in a contemporary style. This edition brings together a varied selection of blues, jazz and Latin American-influenced compositions, as well as John Dowland’s famous Galliard.

Luise Walker’s Für den Anfang is an introduction to guitar playing that presents fundamental technical and musical skills through short exercises, melodies, and pieces. The contents include the melody “Kuckuck, Kuckuck,” scales in C major and G major, arpeggios, chord playing, and an alternating-stroke exercise.In addition, the collection features well-known tunes such as ‘Kuckuck, Kuckuck’, ‘Wenn ich ein Vöglein wär’ and ‘Schlaf, Kindlein, schlaf’, as well as a melody by Luise Walker and an allegro by Mauro Giuliani. The edition combines basic guitar techniques with a selection of short musical examples. The contents cover melodic playing, scales, arpeggios, chords, and alternating-stroke technique, introducing fundamental aspects of guitar playing in a concise and accessible format. The edition is classified as easy and is intended for guitar.

Inhalt: Caprichio Arabe Danza Mora Sieben Präludien (Endecha - Oremus/Preludio Nr. 1,3,4,5, "Lágrima"/Preludio Nr. 2) Adelita Marieta Pavana Maria Minuetto Estudio en Forma de Minuetto La Mariposa Alborada Rosita Sueno Recuerdos de la Alhambra

Südamerikanische Gitarrenmusik ist zumeist tief in der heimatlichen Folklore verwurzelt, vielfach sucht sie aber auch Anregungen in der europäischen Musik. Kurt Schumacher kehrt die Situation um und verbindet aus dem Blickwinkel eines Europäers abendländische mit südamerikanischen Einflüssen. Ergebnis sind spielfreudige Stücke mit eingängiger Melodik und prägnanter Rhythmik. Inhalt: - Bolero - Chôrinho - Tango Sem Nome - Lembrando Paganini - Tristòn - Recuerdo Brasileiro - Aire De Barcarola - Romanza Para Amelita - Vals No 1 - Tres Tazas Pequenas - Homenaje A Chopin

La cascatella Federico Orsolino (1918–1993) was an Italian guitarist and composer of the 20th century. Capriccio (La cascatella) for six-string guitar is one of his compositions. A contemporary review published in Der Gitarrist , the journal of the Gitarristische Vereinigung, characterizes Orsolino’s compositional style as being “almost throughout” shaped by melodic construction and “masterful inspiration.” The works Piccole impressioni di campagna and Capriccio (La cascatella) , discussed together in the review, are described as “moderately difficult to difficult” in terms of their technical demands. Capriccio therefore represents an interesting contribution to the Italian guitar repertoire of the 20th century. The work combines melodically oriented musical writing with technically demanding elements and is particularly suited to advanced guitarists, as well as to concert performance and pedagogical study within this repertoire.