Irische Musik bringt immer eine einzigartige Stimmung auf. Viele der Songs sind über die Grenzen der grünen Insel hinaus bekannt, wie zum Beispiel "Sally Gardens", "The Foggy Dew", "Molly Malone" oder eben "The Girl I Left Behind". Den eingängigen Melodien kann sich kaum jemand entziehen, ohne innerlich mitzuschwingen. Hans Joachim Teschner hat diese Lieder für Querflöte und Gitarre so arrangiert, dass beide Instrumente oft gleichberechtigte Stimmen haben. Die Arrangements sind mittelschwer und musikalisch äußerst ansprechend. Inhalt: - Arthur Mac Bride - Home Boys Home - Molly Malone - Scolding Wife - Spancil Hill - Sweet Betsy from Pike - The Foggy Dew - The Girl I Left Behind (The Waxies Dargle) - The Jolly Beggar - The Raggle Taggle Gypsies - Sally Gardens - Captain O'Caine - Lanigan's Ball

Duette für Flöte und Gitarre erfreuen sich einer immer größeren Beliebtheit. Nun haben Jean Cassignol und Michel Démarez mit ihrem Heft “3 Duette nach Vivaldi und Haydn” eine weitere Sammlung beliebter Stücke vorgelegt, welche auf gekonnte Weise das Repertoire dieser Instrumente zu bereichern wissen. Das Largo aus dem Konzert für Violine RV 375 und das Largo aus dem Konzert für Querflöte RV 783 von Antonio Vivaldi wurden darin ebenso für Flöte und Gitarre arrangiert wie das Adagio aus der Sinfonie Nr. 24 von Joseph Haydn. Während die Flötenstimme dabei ganz den bekannten Melodien bzw. Solostimmen der einzelnen Werke entspricht, verleiht die gekonnt eingerichtete Gitarrenbegleitung den Arrangements einen ganz besonderen technischen als auch klanglichen Reiz.

The playing score “ Christmas Carols ” by Alfons Steigenberger is specially designed for singers and guitarists and includes a variety of well-known Christmas carols, including Alle Jahre wieder, Es ist ein Ros' entsprungen, Ihr Kinderlein kommet, and Stille Nacht, heilige Nacht. This edition is particularly suitable for use in home and group music-making and is an excellent choice for Advent and Christmas singing groups. The edition includes song lyrics, a table of chord fingerings used, and easy-to-play guitar accompaniment written out in full.

Folks from England und Ireland For enthusiasts of English and Irish folk music, Hans Joachim Teschner compiled a selection of the most appealing songs, spirituals and ballads. As in many of his other publications, the editor placed particular emphasis on ease of playing.

12 Latin American dances and songs Burkhard Blady composed twelve Latin American dances and songs, each in versions for two instruments and for solo guitar. In the solo version, the performer alternates between plucked and percussive guitar techniques. In the two-part version, these techniques are divided between the two parts, allowing them to be practised separately initially. The melodic first part is also suitable for melody instruments. The player of the second part may choose between a notated plucked accompaniment and a separately prepared accompaniment in a percussive guitar style.

24 Easy Traditionals The 24 well-known and easy-to-play traditional tunes are intended for guitarists of all ages who have already acquired some basic experience with their instrument. Each piece is available in two versions. Players performing solo may play the melodies of the first ten tunes with open bass strings, while the remaining tunes are provided with simple fretted bass notes. The melodies throughout remain in first and second position. In the duet version, the melody may be played either by Guitar 1 or by another melodic instrument (flute, violin, etc.). Guitar 2 plays the lower part or accompanies the tunes using chord symbols. With its variety of performance options, 24 Traditionals is equally suitable for both individual and group instruction.

24 Original Pieces from the 16th and 17th Centuries Aus alten Lautentabulaturen by Edmund Wensiecki presents a selection of original song and dance pieces from the Renaissance. The lute parts are presented in historical tablature, while the guitar transcriptions are given in modern staff notation. The collection brings together works by anonymous composers with pieces by Adrian Willaert, Bartolomeo Tromboncino, Fabrizio Caroso, and Cesare Negri. The numerous Italian balletti, in particular, provide a vivid insight into the musical and dance culture of the Renaissance. Edmund Wensiecki’s edition offers an engaging introduction to this historical repertoire for both guitar and lute. By tuning the guitar accordingly and using a capo at the third fret, the original lute tuning can be reproduced. The fingerings are suitable for both lute and guitar.

This volume presents a selection of original Renaissance songs and dances. The lute music is presented in tablature, while the corresponding guitar arrangements are given in modern staff notation. With a capo placed at the third fret, the guitar is brought to the same pitch as the lute. The indicated fingering applies to both instruments.

From Spain to Latin America The successful author Hans Joachim Teschner now presents an accompanying volume with typical songs from Spain and Latin America (including Brazil and Argentina) for two guitars for the well-known guitar school ‘Fridolin’. Both the 1st part, arranged as a melody, and the accompanying 2nd guitar part are very easily arranged. As the 1st part can also be taken over by a melody instrument, there are many possibilities for playing together. Content: - Tres hojitas (Asturien) - Ay, linda amiga! (Kastilien) - Al lado de mi cabana (Leon) - Viva lo blanco! - El noy de la mare (Katalogien) - El Vito (Andalusien) - Viva Espana Y Sevilla! (Sevilla) - Anda jaleo (Andalusien) - Al pano fino (Andalusien) - La pajarera (Mexiko) - Sambalelé (Brasilien) - Nesta Rua (Brasilien) - Acordai Doncela (Brasilien) - Zamba Vargas (Argentinien)

Die Stücke sind auch einzeln als pdf-Datei erhältlich. Klicken Sie auf das Drop-down-Menü unter "Ausgabe (bitte auswählen)" Inhalt: - What if a day - Dance - Jewell - Callino Casturame - Stanes Morris - Volt - The Sick Tune - The French Kinges Maske - Packington's Pound - A Toy - Kemp's Jig - Willson's Wilde - Toy - Robinson's May - Parson's Farewell - Niederländischer Rundtanz - Der Fuggerin Tanz - Echo - Welscher Tanz - Branle Englese - Spagnoletto - Bianco Fiore - Ballet Englese - Fortuna Englese - Gavotte I-IV

Scandinavia - A journey through the Nordic countries This time, Fridolin and Katrin travel through Norway with its fjords and skerries, roam through the forests of Sweden, discover the vast lake landscapes of Finland, marvel at the fantastic play of colours of the Northern Lights and indulge themselves in comparatively small Denmark. The often rugged landscapes of Scandinavia, nature and the sea leave indelible impressions. We encounter graceful folk songs, heartfelt melodies, but also lively dances full of joie de vivre. The melodies are all in the first guitar part. They can also be played comfortably with other instruments, e.g. alto recorder (flute) or violin. Contents: Sweden - Ack Värmleland, du sköna (Oh Värmeland, you beautiful) - Till Österland vill jag fara (I want to go to Ostland) - Så lunka vi så småningom (So we trot gradually) - Du gamla, du fria (You old, you free) - Liten Karin (Little Karin) - Uti vår hage (On our meadow ground) - Vårvindar friska (The fresh spring wind) Norway - A kjore vatn, a kjore ved (Fetch the water, fetch the wood) - Per Spelmann (Hans Spielmann) - Vem kan segla (Who can sail) - Ritsj ratsj fillibombombom Denmark - Til pinse, når skoven bli'r rigtig grøn (At Whitsun when the forest is green) - Vort modersmål er dejligt (How sweet is our mother tongue) - Månen går så langsom og så løj (Slowly the moon goes by) - På søen, når den skummer vred (On stormy seas) Finland - En voi sua unhoittaa pois (I can't forget you) - Tein minä pillin pajupuusta (I have carved myself a willow pipe) - Merimies rakastaa meren aaltoja (A sailor loves the surging sea) - Minun kultani kaunis on (Yes, my darling is beautiful) - Emman valssi (Emma's waltz)

Vive l'amour. Songs from France and Canada In France, the theme of love naturally occupies a special place, but there are also sailor and soldier songs, ballads, romances and cheerful children's songs that Fridolin and Katrin get to know on their journey. Even without knowing the lyrics, they give an impression of the diversity and richness of French song. The melodies are all in the first guitar part. They can also be played comfortably with other instruments, e.g. alto recorder (transverse flute) or violin.