15 selected pieces of moderate difficulty for guitar, suitable for study and performance, with fingering and playing instructions. Meister des Gitarrenspiels I presents a diverse selection of works from the guitar repertoire of the early and mid-nineteenth century. The volume brings together music by Fernando Sor, Ferdinando Carulli, Dionisio Aguado, Matteo Carcassi, Francesco Molino, Mauro Giuliani, Anton Diabelli, and Johann Kaspar Mertz. Preludes and studies stand alongside lyrical pieces, minuets, waltzes, Ländler, rondos, and allegro movements. Together, these works offer a vivid impression of the stylistic richness of the period and reveal the many facets of nineteenth-century classical guitar playing. Suitable for teaching, study, and the development of a personal repertoire, this volume combines musical expressiveness with varied technical demands and provides a representative introduction to the classical guitar repertoire of the nineteenth century.

Strings in Space erweitert die Stücke aus „The Blue Hour“ nicht nur im Schwierigkeitsgrad, sonden auch in seinen Stilen. Neben Rock- und Blues-Feeling komponierte Kurt Schumacher nun auch Stücke im Jazz- und Latin-Style. inklusive englisch- und französischsprachigem Vorwort. Inhalt: - Just Walkin' - Easy to Love - Beads of Perspiration - Jazz Will Hold You Tight - Thick as a Brick - 6.9 to 5 - Sweet Little Alibi - Hortensia - Fiddlesticks - Dusty Boots - Verano en Brazil - Straight to Hell - Wisps of Mist - Pickled Gherkins - A Sentimental Conversation - Bahia Jazz Club - To and Fro - Ol' Rockin' Outlaw - La Nochecita - Slide and More - Psychodelic

Um ein für den Anfänger geeignetes Repertoire zusammenzustellen, wurde die Harmonik einiger Werke vereinfacht, so dass die Ausgabe viele zweistimmige Sätze mit leeren Bässen enthält. Die Anordnung der Stücke erfolgt in ansteigendem Schwierigkeitsgrad. Carulli, Diabelli, Giuliani, Divertimento ... kurze, leicht verständliche Texte geben Hinweise zu den Komponisten und ihren Werken. Inhalt: - Ricercar (Anonym, 16. Jahrhundert) - Divertimento (Dionisio Aguado) - Menuett (Dionisio Aguado) - Villanella (Anonym, um 1600) - Ecossaise (Anonym, um 1835) - Danse Anglaise (Anonym, um 1620) - Chanson française (Anonam, um 1600) - Menuett (Robert de Visée) - Paradetas (Gaspar Sanz) - Ruggiero (Gaspar Sanz) - Moderato (Anton Diabelli) - Allegro (Joseph Küffner) - Andante (Joseph Küffner) - Walzer (Joseph Küffner) - Andantino (Joseph Küffner) - Branle Anglaise (Emanuel Adriaensen) - Tanz (Johann Anton Logy) - Tranquillo (Anonym, 16, Jahrhundert) - Allegro (Francis Cutting) - Polnischer Tanz (Johann Nepomucen Bobrowicz) - Allegretto (Matteo Carcassi) - Andante (Matteo Carcassi) - Ecossaise (Matteo Carcassi) - Allegro (Matteo Carcassi) - Allegrett0 (Matteo Carcassi) - Doloroso (Ferdinando Carulli) - Anglaise op. 121, Nr. 4 (Ferdinando Carulli)

Inhalt: A New Jerusalem Acres Of Clams Clementine Down By The Riverside Go Down Moses Have You Any Witness in your Heart? Home On The Range Jingle Bells John Brown's Body My Lord What A Mornin' Nobody Knows De Trouble Oh, Have You Seen My Cindy? Oh, Susanna Old Black Joe Old Folk At Home Poor Lonesome Cowboy St. James Infirmary Swing Low, Sweet Chariot Two Maids Went Milking Were You There When The Saints Go Marchin' in Yankee Doodle, Lieder sind mit englischsprachigen Liedtexten versehen.

Old Masters of the 17th Century for Guitar presents a distinguished selection of Baroque masterpieces in idiomatic guitar arrangements by Luise Walker . Drawing on lute, guitar, keyboard, violin and orchestral repertoire, the edition introduces works by Johann Anton Count Losy von Losinthal, Robert de Visée, Ludovico Roncalli, George Frideric Handel, Johann Sebastian Bach, Arcangelo Corelli, Jean-Philippe Rameau and Giuseppe Antonio Vincenzo Aldrovandini. At the heart of the collection are Losy’s complete Partita in D major and de Visée’s Suite in D minor , complemented by selected sarabandes, menuets, bourrées, gigues, preludes and other characteristic Baroque dance movements. The carefully crafted arrangements preserve the stylistic character of the original sources while making this important repertoire accessible to the classical guitar. A valuable edition for teaching, study and concert performance, offering an authentic introduction to seventeenth- and early eighteenth-century music for solo guitar. The selected works are predominantly arranged for solo guitar , while the two concluding works have been arranged by Luise Walker for two guitars .

Der junge Gitarre-Solist ( The Young Guitar Soloist) , edited by Luise Walker, is a collection of short, melodic pieces for solo guitar from different historical periods, intended for both teaching and performance. The edition was published in the “Musik für die Gitarre” series and includes works and arrangements by composers such as Heinrich Marschner, Anton Diabelli, Napoléon Coste, Fernando Sor, Mauro Giuliani and Niccolò Paganini, as well as Ferdinand Rebay and Wilhelm Nisters. The selection encompasses a variety of musical forms and characters, including bagatelles, preludes, rondos, minuets, studies, a capriccio, a sarabande, a habanera and variations. Contemporary specialist criticism praised Walker’s “excellent arrangements and compilation” of the pieces. The publisher rates the current edition as easy to intermediate, making it suitable for guitar students developing their technical and musical skills.

Fridolin sings and plays: With sometimes cheeky, sometimes contemplative songs, he makes his vocal chords and the six strings of his guitar vibrate. Anyone who joins him will find additional playing material for all levels of beginners' lessons, from the first stroke of empty strings to reaching two-part playing. Intended primarily for younger players, the pieces are suitable for consolidating the respective learning levels. Content: - Glockenklang - Es brennt - In dem dunklen Winterwald - Schreihälse - Gleich, gleich, gleich - Gockelalarm - Drachenflug - Der Komet - Kuckuck - Meine arme Nase - Zum Geburtstag - In der Hexenküche - Heja hoh - Liebe Mutter - Im Spukhaus - Abendlied - Unser Katz hat Katzerln g’habt - Der Kuckuck und der Esel - Der Gartenzwerg - Müll fressen - Fünf Berliner wollten mal - Brumm, brumm, brumm - Laurentia, liebe Laurentia mein - Mein Hut, der hat drei Ecken - Die Straßenbahn ist rappelvoll - Drei Chinesen mit dem Kontrabass - Der Elefant ist meistens dick - Fasten ist doof - Ich lieb’ die Blumen - Ich wohnte einst im Tintenfass

The movements are intended to give beginners the opportunity to play the melodies of Christmas carols in two parts with very easy lower parts consisting mainly of empty strings. The songs can also be played with the following instruments: 1. 3 fiddles 2. 2 violins and a viola (or cello) 3. Melody: treble fiddle, bass fiddle, violin, viola plus a second guitar

These Christmas carols for guitar are easily arranged to enable many (and also very young) guitarists to practise them. Guitar students who have only been playing for a short time will find very easily set songs in the second part of the book in the second position (most of which can also be played in the first position). All songs can also be played with two guitars, as they are all set in two parts. In addition, melodies (played or sung) can also be accompanied with the chords given. The pieces are also available individually as pdf files. Click on the drop-down menu under “Output (please select)” Content: I. position Alle Jahre wieder Am Weihnachtsbaum Es kommt ein Schiff geladen Heiligste Nacht Ihr Kinderlein kommet In dulci jubilo Jingle Bells Joseph, lieber Joseph mein Kling, Glöckchen, klingelingeling Komm, wir geh'n nach Bethlehem Kommet, ihr Hirten Lasst uns das Kindlein wiegen Lasst uns froh und munter sein Leise rieselt der Schnee Maria durch ein Dornwald ging Morgen, Kinder, wirds was geben Morgen kommt der Weihnachtsmann O du fröhliche, o du selige O Tannenbaum Schneeflöckchen, Weißröckchen Still, still, still Stille Nacht, heilige Nacht Was soll das bedeuten Zu Bethlehem geboren II. position (slightly set) Alle Jahre wieder Am Weihnachtsbaum Ihr Kinderlein kommet Lasst uns froh und munter sein Morgen kommt der Weihnachtsmann Schneeflöckchen, Weißröckchen Was soll das bedeuten