A school for young guitarists In almost all the duos in this booklet, the first guitar plays an independent piece. It can therefore also be performed without an accompanying guitar (2nd guitar). Nevertheless, the accompanying parts should also be practised and played alternately with partners. The 2nd guitar plays with a free touch from the beginning. The duets are intended for playing along and are therefore counted in. The two guitar parts are played separately on the stereo channels so that you can fade out your own part if necessary. The recordings of the solo pieces provide an impression of the compositions, but also represent a personal interpretation. MP3 downloads included This volume replaces the N2361.

Learn to play the guitar with fun, games and speed? The new Ping Pong Guitar School by Andreas Knoblich makes it possible! Note heads labelled with their note names, a step-by-step approach to learning chord shapes, and a set of chord cards featuring the most important strumming patterns make guitar lessons more varied and enjoyable, while helping to keep learners motivated over the long term. Special right-hand exercises (patterns) allow pupils to develop good playing technique from the very beginning. Alternating exercises also help learners master music reading more quickly. And to keep practice at home engaging, the new guitar method includes access to a streaming practice app. Includes detachable cards with rhythms and chords.

Mit Erklärungen und 200 Trainingsfragen rund um die Gitarre Schülern theoretisches Wissen zu vermitteln, ist keine leichte Aufgabe. Maria Swoboda und Andreas Kantenwein finden jedoch zu jedem Zeichen, das oft in Gitarrenausgaben vorkommt, eine kurze und verständliche Erklärung. In den gleich darauf folgenden, unterhaltsamen Fragen wird der Lernstoff aus vielfältigen Blickwinkeln betrachtet und somit gefestigt. Ein Wissenstraining am Ende von jedem der drei Teile verstärkt diesen Prozess. Eine Ausgabe, die nicht nur jüngere Schüler motiviert, sondern auch für ältere Gitarristen kurzweilig ist.

The easiest and fastest way to learn the guitar • Ideal for self-study • No knowledge of music notation required • Includes an extensive collection of songs With Song Accompaniment for Everyone , Hans Joachim Teschner has created another outstanding educational classic. Best known as the author of the highly acclaimed Fridolin Guitar Method , he now offers a practical and accessible guide for anyone who wants to accompany well-known songs on the guitar quickly and easily—without the time or opportunity to take formal guitar lessons. Written in a clear and engaging style, the book covers the essentials of getting started, including choosing the right instrument, tuning the guitar, and proper playing posture. The course is designed for self-study and requires no prior musical knowledge or ability to read sheet music. With just two simple chords, learners can already accompany 40 folk songs, traditional songs, and Christmas carols. Those who continue through the course will gradually master the most important chords and strumming techniques, enabling them to accompany many more popular songs with confidence.

This is not a dry guitar manual or a collection of études, but a guide that is accessible to everyone and ‘spiced up’ with popular songs, designed to help you make your chord accompaniment on the guitar more varied and therefore more appealing. Alongside a detailed chord chart, the player will find concise and clear introductions to musical notation, tablature and plucking technique. From the very first song example, the guitarist learns how to apply these techniques. The song accompaniments are presented in both standard notation and tablature. The level of difficulty increases gradually.

As with any instrument, scales are an important part of guitar practice. As no comprehensive collection of all scales had ever been published, Thomatos Spiro came up with the idea of creating, with this volume, a complete overview of major scales and melodic, natural and harmonic minor scales. Learning scales is essential for developing technique and sensitising the guitarist’s hearing. It is recommended that the carefully selected scale examples be included in the daily practice routine alongside other technical exercises and pieces for both hands.

Fernando Sor (1778–1839; baptized as José Fernando Macario Sors) was a Spanish composer, guitarist, and pedagogue and is regarded as one of the most important figures in the history of the classical guitar. He was born on 13 February 1778 in Barcelona and received his musical education, among other places, at the Monastery of Montserrat. As a celebrated virtuoso, Sor performed in numerous European cities and composed not only operas and ballets, but also symphonies, string quartets, and Spanish songs. Of his extensive body of work, it is above all his guitar compositions that have endured to the present day. His guitar works are distinguished by their polyphonic style and possess a timeless quality that transcends changing musical fashions. Among his best-known compositions are his numerous studies, which continue to form an essential part of the core repertoire of the classical guitar. Fernando Sor died in Paris on 10 July 1839.

Fernando Sor (1778–1839; baptized as José Fernando Macario Sors) was a Spanish composer, guitarist, and pedagogue and is regarded as one of the most important figures in the history of the classical guitar. He was born on 13 February 1778 in Barcelona and received his musical education, among other places, at the Monastery of Montserrat. As a celebrated virtuoso, Sor performed in numerous European cities and composed not only operas and ballets, but also symphonies, string quartets, and Spanish songs. Of his extensive body of work, it is above all his guitar compositions that have endured to the present day. His guitar works are distinguished by their polyphonic style and possess a timeless quality that transcends changing musical fashions. Among his best-known compositions are his numerous studies, which continue to form an essential part of the core repertoire of the classical guitar. Fernando Sor died in Paris on 10 July 1839.

Fernando Sor (1778–1839; baptized as José Fernando Macario Sors) was a Spanish composer, guitarist, and pedagogue and is regarded as one of the most important figures in the history of the classical guitar. He was born on 13 February 1778 in Barcelona and received his musical education, among other places, at the Monastery of Montserrat. As a celebrated virtuoso, Sor performed in numerous European cities and composed not only operas and ballets, but also symphonies, string quartets, and Spanish songs. Of his extensive body of work, it is above all his guitar compositions that have endured to the present day. His guitar works are distinguished by their polyphonic style and possess a timeless quality that transcends changing musical fashions. Among his best-known compositions are his numerous studies, which continue to form an essential part of the core repertoire of the classical guitar. Fernando Sor died in Paris on 10 July 1839.

Fernando Sor (1778–1839; baptized as José Fernando Macario Sors) was a Spanish composer, guitarist, and pedagogue and is regarded as one of the most important figures in the history of the classical guitar. He was born on 13 February 1778 in Barcelona and received his musical education, among other places, at the Monastery of Montserrat. As a celebrated virtuoso, Sor performed in numerous European cities and composed not only operas and ballets, but also symphonies, string quartets, and Spanish songs. Of his extensive body of work, it is above all his guitar compositions that have endured to the present day. His guitar works are distinguished by their polyphonic style and possess a timeless quality that transcends changing musical fashions. Among his best-known compositions are his numerous studies, which continue to form an essential part of the core repertoire of the classical guitar. Fernando Sor died in Paris on 10 July 1839.