Raphael B. Meyer wrote the Irish Suite on behalf of the Swiss ERTA (European Recorder Teachers Association) for a larger recorder formation. The result is a challenging composition that can be practised, but is not short on fun. The traditional Irish music with its simple basic structure and catchy, simple melodies touches pupils and teachers alike. With the Irish Suite, Raphael B. Meyer has created a work in three movements which are designed in such a way that they can be played at different speeds and without ornamentation without the music losing its effect. Score: N 2824 Individual parts: N 2841 - soprano/sopranino N 2842 - Alto I, II N 2843 - Tenor I, II, III N 2844 - Bass I, II N 2845 - Subbass/major bass in bass clef N 2846 - Great bass in treble clef

Raphael B. Meyer wrote the Irish Suite on behalf of the Swiss ERTA (European Recorder Teachers Association) for a larger recorder formation. The result is a challenging composition that can be practised, but is not short on fun. The traditional Irish music with its simple basic structure and catchy, simple melodies touches pupils and teachers alike. With the Irish Suite, Raphael B. Meyer has created a work in three movements which are designed in such a way that they can be played at different speeds and without ornamentation without the music losing its effect. Score: N 2824 Individual parts: N 2841 - soprano/sopranino N 2842 - Alto I, II N 2843 - Tenor I, II, III N 2844 - Bass I, II N 2845 - Subbass/major bass in bass clef N 2846 - Great bass in treble clef

This volume from the B series is intended to provide beginners with a rich collection of easy dances from folklore and folk music for two-part playing on the soprano and alto recorder (transverse flute). As the first part begins in the practice range c‘-d’'and is methodically structured, this volume is suitable for early ensemble playing. The dances can be made more attractive by adding a small percussion instrument. Volume 1: Practice section A from c‘-d’' (soprano recorder) Practice section B from c‘-e’' (soprano recorder) Practice range C from c‘-f’' (soprano recorder) Practice range A from f‘-c’‘’ (alto recorder | flute) Volume 2: Practice range A from c‘-g’' (soprano recorder) Practice range B from c‘-a’' (soprano recorder) Practice range from f‘-d’‘’ (alto recorder | flute) Further playing literat ure for soprano and alto recorders can be found in the tab ‘’ Similar articles ‘’: From series A ‘’The Music of the Old Masters‘’ and series B ‘’Folklore / Folk Music‘’ 2 booklets each available. (series A: booklet 1 - N 3766, booklet 2 - N 3767; series B: booklet 1 - N 3802, booklet 2 - N 3803) The following series are available for soprano recorders : There are also 4 consecutive volumes available from series A ‘The Music of the Old Masters’. (volume 1 - N 3657, volume 2 - N 3661, volume 3 - N 3664, volume 4 - N 3665) There are 2 volumes available from the series ‘The Great Christmas Carol Collection’. The duets can be extended with a harmony instrument and vocals. (volume 1 - N 3715, volume 2 - N 3716) From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 2 volumes each are available. (series A: volume 1 - N 3766, volume 2 - N 3767; series B: volume 1 - N 3802, volume 2 - N 3803) The following series are available for alto recorders : From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 4 and 2 volumes respectively are available. (series A: volume 1 - N 3717, volume 2 - N 3718, volume 3 - N 3719, volume 4 - N 3720; series B: volume 1 - N 3773, volume 2 - N 3774)

Die hier vorliegenden 10 Stücke (Gesänge) sind dem umfangreichen Liederbuch "Sing along with Effi Netzer", Tel-Aviv 1983 entnommen. Die überwiegend in Moll gehaltenen Melodien können nicht nur "mit Liebe" gesungen, sondern auch gespielt werden. Insbesondere die Flöteninstrumente werden diese kernigen hebräischen Lieder so recht zum Klingen bringen. Inhalt: 1. Hatikva (israelische Nationalhymne) 2. Yerushaleyim (Jerusalem) 3. Shir Hanokdim (Lied der Schafhirten) 4. Dugit (Ein kleines Boot) 5. Shalom Aleichem (Friede sei mit euch) 6. Tumbalalaika (Balalaikaklänge) 7. Orcha Bamidbar (Kamelzug in der Wüste) 8. Erets Zavat Chalav (Das Land, wo Milch und Honig fließen) 9. Nagen Li Yarden (Spiel für mich, Jordan!) 10. Ufaratsta (Du wirst dich verbreiten in alle Welt) Die Stimmen sind auch einzeln erhältlich.

Die vorliegenden Duette sind Bearbeitungen von Klavierstücken Handels. Für das Spiel auf Altblockflöten wurden die Stücke in günstige Tonarten transponiert und beide Stimmen dichter zusammen gelegt. Es entstanden Stimmkreuzungen, wie sie auch in originalen Duetten auftreten.

Die bolivianische Volksmusik zeichnet sich so wie die peruanische, argentinische und chilenische durch ihren wechselnden Rhythmus aus. 3/4- und 6/8-Takt werden in ein- und demselben Stück gern gewechselt und die Spieler sollen Freude an diesem Wechsel haben und ihn eventuell durch begleitende Schlaginstrumente betonen. Inhalt: - Naranjitay (Takirari) - Canción India de Navidad - A que has venido, forastero? - Cual es aquel pajarito (Cueca) - Peregrino (Huayno) - Buscando (Huayno) - Desde el valle (Cueca) - La Coiquita de las Calles (Cueca) - Recuerdos de Calahuayo - Despido (Huayno) - El Trote tarapaqueño - San Pedro troté cien años - Despedida (Huayno) - Huayno

30 Christmas carols in challenging movements: 30 of the best-known Christmas carols from Germany, France, England, America and Switzerland. This Christmas booklet is written for all instrumentalists who play in treble clef. The less advanced will enjoy playing the well-known melodies; the more technically adept will find their challenge in the demanding upper parts and harmonising. In this way, perhaps those instrumentalists for whom the familiar easy duets no longer offer any incentive will find themselves making Christmas music again. Contents: - Alle Jahre wieder - Als ich bei meinen Schafen wacht' - Am Weihnachtsbaum - Auf, ihr Hirten von dem Schlaf - Es ist ein Ros' entsprungen - Es ist für uns eine Zeit angekommen - Es kommt ein Schiff - Fröhliche Weihnacht - Ich steh' an deiner Krippen hier - Ihr Kinderlein kommet - In dulci jubilo - Jingle Bells - Joseph, lieber Joseph mein - Kling, Glöckchen, klingelingeling - Kommet, ihr Hirten - Lasst uns froh und munter sein - Leise rieselt der Schnee - Les anges dans nos campagnes - Lieb' Nachtigall, wach auf - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - O Tannenbaum - Stille Nacht! Heilige Nacht! - Süßer die Glocken - Tochter Zion - Vom Himmel hoch - Was soll das bedeuten? - We wish you a Merry Christmas - Wie soll ich dich empfangen

The collection of "Old English Christmas and Winter Songs" by Ortrud Hommes suitably expands the Christmas repertoire for recorder quartet. Thus, not only well-known songs such as "We Wish you a Merry Christmas" can be found here, but also less popular pieces such as "In the Bleak Midwinter" or "Drive the Cold Winter Away". All songs are arranged chronologically, modulated and newly arranged. In this way, the artful simplicity and emotional depth of the songs is conveyed. Content: - Lullay, Lullay: Als I Lay on Yoolis Night - Conventry Carol - On This Day Earth Shall Ring - We Wish You a Merry Christmas - Drive the Cold Winter Away - Now Winter Comes Slowly - God Rest You Merry,Gentlemen - The Snow it Melts the Soonest - We Three Kings of Orient Are - In The Bleak Midwinter

Die vorliegenden sechs Trios stehen in vier verschiedenen, auch für Anfänger leicht zu spielenden Tonarten. Kleine Vor- und Nachspiele umrahmen die Arrangements.

This volume is intended to provide beginners with a rich collection of easy dances by our old masters for two-part playing on the soprano and alto recorder. As the first part is limited to the practice range from c‘ to d’', this volume can also be used for early ensemble playing in soprano recorder lessons, with the teacher taking over the second part on the alto recorder or on the flute. This adds a lot of fun and variety to the mostly monophonic recorder lessons. The second volume in this series (N 3767) covers the practice ranges c‘ to g’‘’ for the soprano recorder and f‘ to d’‘’' for the alto recorder. Further playing literature for soprano and alto recorders can be found in the tab ‘’ Similar articles ‘’: From series A ‘’The Music of the Old Masters‘’ and series B ‘’Folklore / Folk Music‘’ 2 booklets each available. (series A: booklet 1 - N 3766, booklet 2 - N 3767; series B: booklet 1 - N 3802, booklet 2 - N 3803) The following series are available for soprano recorders : There are also 4 consecutive volumes available from series A ‘The Music of the Old Masters’. (volume 1 - N 3657, volume 2 - N 3661, volume 3 - N 3664, volume 4 - N 3665) There are 2 volumes available from the series ‘The Great Christmas Carol Collection’. The duets can be extended with a harmony instrument and vocals. (volume 1 - N 3715, volume 2 - N 3716) From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 2 volumes each are available. (series A: volume 1 - N 3766, volume 2 - N 3767; series B: volume 1 - N 3802, volume 2 - N 3803) The following series are available for alto recorders : From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 4 and 2 volumes respectively are available. (series A: volume 1 - N 3717, volume 2 - N 3718, volume 3 - N 3719, volume 4 - N 3720; series B: volume 1 - N 3773, volume 2 - N 3774)

Philbert de Lavigne, in den Dreißigerjahren des 18. Jahrhunderts gefeierter Musettenvirtuose zu Paris, schrieb als op. 4 Duos, die er pointiert rhythmisierte oder melodisch reizvoll ausgestaltete. Den Blumennamen der Stücke kommt mehr als nur dekorative Bedeutung zu. Inhalt: - La Rose (Die Rose) - Les Pensées (Stiefmütterchen) - Les Giroflées (Levkojen) - L'Iris (Die Schwertlilie) - L'Oeillet (Die Nelke) - Les Anemones (Buschwindröschen) - La Julienne (Die Nachtviole) - Le Jasmin (Der Jasmin) - Les Oreilles d'ours (Aurikeln) - Les Prime-Veres (Schlüsselblumen) - Le Muguet (Das Maiglöckchen) - L'Amarante (Der Fuchsschwanz) - La Tulipe (Die Tulpe) - La Jacinte (Die Hyazinthe) - La Violette (Das Veilchen) - Les Renoncules (Ranunkeln) - Le Narcisse (Die Narzisse) - La Tubéreuse (Die Tuberose) - La Jonquille (Die Jonquille) - Le Chèvre-feuille (Das Geißblatt) - La Grenade (Der Granatapfel) - Le Tricolore (Die Trikolore) - Le Volubilis (Die Winde) - Les Marguerites (Margeriten)

Telemann bringt in seinen "36 Fantaisies" je ein Dutzend "Fantasien" in deutscher, französischer und italienischer Manier. Die lose Folge durch einige Tonarten wurde von Christa Sokoll methodisch ausgebaut und führt bei progressiver Reihung und Aufteilung in vier Bände systematisch durch den Quintenzirkel.