Content: - Grave - Allegro - Grave - Allegro

Born in Bergamo on 3 September 1695, Pietro Antonio Locatelli studied with Corelli in Rome. In 1725 he was appointed chamber virtuoso at the court of Mantua. He also performed as a violinist in the entourage of the Elector of Saxony, for example in Kassel in 1728, Berlin in 1729 and Amsterdam, where he settled permanently in 1730. As a violin teacher, composer and music publisher, he was both respected and wealthy there. Locatelli died on 3 March 1764 and was buried in the Beguinage in Amsterdam. We know from his estate catalogue that he owned two transverse flutes and a ‘Flûte d'Amour’. His Opus II, 12 sonatas for ‘Flauto traversiere’ and basso continuo, also shows that he was very familiar with the transverse flute. The present work is taken from Opus V, published by the author himself in Amsterdam in 1746. The title of the opus, which contains six sonatas, explicitly states that they can be played with two violins as well as two flutes. There is also nothing to prevent it being scored for violin and flute. This original version remained unchanged when it was saved. Like many of Locatelli's compositions, this trio sonata also differs from the works of his Italian contemporaries in its unconventional originality. It is also particularly easy to play, as it is dedicated to a dilettante, the city secretary of Amsterdam, M. Lestevon, a pupil and patron of the composer. It will also delight music lovers of our time, not least because of the pastoral middle movement. Content: - Andante - Largo, Andante - Allegro - Vivace

Hook's role model, Johann Christian Bach, had a long-lasting effect on the English composer's work. He shares with him a strong melodic talent with an emphasised sense of form. Content: IV. - Allegretto - Adagio sempre piano - Allegretto V. - Allegro moderato - Adagio sempre piano - Marcia VI. - Allegretto - Canone (Andante) - Rondo (Allegretto)

Telemann bringt in seinen "36 Fantaisies" je ein Dutzend "Fantasien" in deutscher, französischer und italienischer Manier. Die lose Folge durch einige Tonarten wurde von Christa Sokoll methodisch ausgebaut und führt bei progressiver Reihung und Aufteilung in vier Bände systematisch durch den Quintenzirkel.

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Books 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

30 of the best-known Christmas carols with sophisticated upper parts and the additional option of accompaniment by guitar or other harmony instrument in the form of chord symbols.

Das Konzept "Klassenmusizieren mit Streichinstrumenten" ist vor allem auf Grundschüler zugeschnitten. Im ersten Band wird die 1. Lage anhand von Liedern erarbeitet, deren Texte aus der Erlebniswelt der Kinder kommen. Einfallsreiche Zeichnungen zum Ausmalen unterstützen das Textverständnis. Die größtenteils einstimmig gehaltenen Lieder können oftmals vom Klavier begleitet werden. Natürlich kann die Ausgabe nicht nur für das Klassenmusizieren, sondern auch als Ergänzung zu jeder Streicherschule benutzt werden. Inhalt: - Disco - 88 Affen - Gartenarbeit - Eis und Zoo - Allerlei Lärm - Weihnachten - Ihr Kinderlein kommet - Pizza und mehr... - Samba - Abrocken im Winter - Langer Abend - Fahrzeuge - Die Schnecke - Nixe Cynthia - Frust / Lust - Karnevalsoutfit - Schlotterstein - Der schwimmende Specht - Kaugummi - Kurze Freude - Wer schuftet? - Ich schufte - Abrocken im Sommer - Nächtliche Fluggäste - Nächtliche Arbeit - Nächtliche Geräusche - Nächtlicher Blödsinn 1 - Nächtlicher Blödsinn 2 - Guter, braver Nikolas - Laterne - Old Mac Donald - Gunter - Echte Freundschaft - Serpentia Einzelstimmen siehe N 2621, N 2622, N 2623 und N 2624