The organ in the church year - Advent | Christmas The Organis Cantatibus series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas and is supplied in ring binding. Contents: - Creator alme siderum (JeanTitelouze) - Veni redemptor gentium (John Redford) - Veni redemptor gentium (Thomas Tallis) - Jerusalem plantabis (Orlando di Lasso) - Une vierge pucelle (Nicolas le Bègue) - Jesu redemptor omnium (Fra Giovanni Battista Fasolo) - A solis ortus cardine (Nicolas de Grigny) - A solis ortus cardine (Christian Erbach) - Puer nobis nascitur (Nicolas le Bègue) - Hodie Christus natus est (Giovanni Pierluigi da Palestrina) - Noel (Louis Claude d'Aquin) - Drei Pastorell-Arien (Frater Marianus Königsperger) - Pastorella (aus einer bayerischen Orgelhandschrift des 18. Jahrhunderts) - Zwei Pastorell-Dugen(Gottlieb Muffat) - Lapidabant Stephanum (Giovanni Pierluigi da Palestrina) - Exsultet caelum laudibus (Jean Francois Dandrieu) - Te Deum (John Redford) - Tribus Miraculis (Orlando di Lasso) - Hostis Herodes (Fra Giovanni Battista Fasolo) - Senex puerum (Giovanni Pierluigi da Palestrina)

Organ music for German hymns III, Christmas festive season II The Cantantibus organis collection contains pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas,including an insert with hymn texts. Content: Let us sing with cheerfulness (GL 135) 1.Hans Leo Hassler (1564-1612), carol setting 2.Peter Piel (1835-1904), carol setting 3.Bernhard von Salem (around 1500), chorale arrangements 4.Fridolin Sicher (1490-1546), chorale trio 5.Elias Nikolaus Ammerbach (around 1530-1597), chorale arrangements Tag an Glanz und Freuden groß (GL 137)- Der Tag, der ist so freudenreich (EKG 18) 6.Sethus Calvisius (1556-1615), hymn setting 7.Joachim Decker (†1611), song movement 8.Johannes Zahn (1817-1895), song composition 9.Caspar Othmayr (1515-1553), chorale bicinium 10.Alessandro Poglietti (†1683), Choral ricercare 11.Johann Heinrich Buttstedt (1666-1727), chorale prelude 12.Georg Pasterwitz (1730-1803), chorale fugue 13.Franz Schneider (1737-1812), chorale fugue 14.Bernhard Mettenleiter (1822-1901), chorale intonation Es kam ein Engel hell und klar (GL 138 ö, EL 22), Vom Himmel hoch da komm ich her (EKG 16) 15.Jakob Praetorius (1586-1651), hymn setting 16.Johann Pachelbel (1653-1706), song movement 17.Johann Sebsatian Bach (1685-1750), song movement 18.Johann Singenberger (1848-1924), song movement 19.Caspar Othmayr (1515-1553), Choral Bizinium 20.Georg Friedrich Kauffmann (1679-1735), chorale trio 21.F.C. Scheidemantel (18th century), Chorale Trio 22.Christian Michael Wolff (1709-1789), chorale prelude 23.Moritz Brosig (1815-1887), Chorale Trio 24.Gustav Merkel (1827-1885), chorale prelude

Organ music of the Augustinians The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Augustinians and is supplied in ring binding. Content: 1.P. Felix Gass (18. Jh.): Aria Es-Dur 2.P. Felix Gass (18. Jh.): Aria c-Moll 3.P. Felix Gass (18. Jh.): Aria Es-Dur 4.P. Felix Gass (18. Jh.): Aria A-Dur 5.P. Felix Gass (18. Jh.): Aria a-Moll 6.P. Bruno Holzapfel (18. Jh.): Fantasia B-Dur 7.P. Bruno Holzapfel (18. Jh.): Cantabile B-Dur 8.P. Bruno Holzapfel (18. Jh.): Siciliano B-Dur 9.P. Bruno Holzapfel (18. Jh.): Vivace B-Dur 10.P. Theodor Grünberger (1756-1820): Praeludium zum Kyrie 11.P. Theodor Grünberger (1756-1820): Fuga nach der Epistel 12.P. Theodor Grünberger (1756-1820): Rondo unter dem Offertorium 13.P. Theodor Grünberger (1756-1820): Alla Capella zum Sanctus 14.P. Theodor Grünberger (1756-1820): Echostück unter der Wandlung 15.P. Theodor Grünberger (1756-1820): Postludium nach dem Ite Missa est

Organ music in Benedictine monasteries - Augsburg | Garsten | St. Lambrecht | Mariazell The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in Benedictine monasteries - Augsburg | Garsten | St. Lambrecht | Mariazell and is supplied in ring binding. Content: 1.Gregor Aichinger (1564-1628): Ricercar (I) - Primi toni / A4 2.Gregor Aichinger (1564-1628): Ricercar (II) - Per sonare et cantare 3.Gregor Aichinger (1564-1628): Ricercar (III) - Per sonare et cantare / A4 4.Gregor Aichinger (1564-1628): Ricercar (IV) - Quarti toni 5.Gregor Aichinger (1564-1628): Ricercar (V) - Secundi toni 6.Gregor Aichinger (1564-1628): Ricercar (VI) - Primi toni 7.Gregor Aichinger (1564-1628) / Bernhard Schmid the Younger (* 1584): Gaudeamus et exultemus - Motet for five voices 8.Gregor Aichinger (1564-1628): Adoro te supplex, latens deitas - motet for four voices 9.Gregor Aichinger (1564-1628): Duo Seraphim clamabant - motet for eight voices 10.Gregor Aichinger (1564-1628) / Johann Woltz (around 1600): Suscepimus Deus - motet for six voices 11.P. Sebastian Ertel (†1618): Cadenzas in the eight church tones 12.P. Sebastian Ertel († 1618): Tota pulchra es amica mea - Motet for eight voices

Organ music of the Carmelite Order The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Carmelite Order and is supplied in ring binding. Content: 1.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (G major) 2nd P. Justinus a Desponsatione B. M. V. (1675-1747): Fuga (F major) 3.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria septima 4.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria undecima 5.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria sexta 6.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (D major) 7.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (A major) 8.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (B flat major) 9.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (C major) 10.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (G minor) 11.P. Justinus a Desponsatione B. M. V. (1675-1747): Fugue (E minor) 12.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (D minor) 13.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria secunda con Varizioni (D major) 14.P. Fr. Pedro Carrera y Lanchares (around 1790): Versos de 5 tono (Clasícos) 15.P. Fr. Pedro Carrera y Lanchares (around 1790): Versos de 5 tono 16.P. Pedro Carrera y Lanchares (c. 1790): Versos de 4 tono (Clasícos) 17.P. Fr. Pedro Carrera y Lanchares (c. 1790): Versos de 1 tono 18.P. Pedro Carrera y Lanchares (c. 1790): Versos de 8 tono (Clasícos)

Old Bavarian organ music II, Upper Palatinate II The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are, for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from old Bavaria and Upper Palatinate. Content: 1.Oberpfälzer Orgelbuch (18. Jh.): Suite sexti toni 2.Sebastian Prixner (1744-1799): Versetten A-Dur 3.Theodor Grünberger (1756-1820): Pastorell – Orgelstücke 4.Simon Mayr (1763-1845): Preaeludium As-Dur 5.Simon Mayr (1763-1845): Preaeludium Es-Dur 6.Joseph Hanisch (1812-1892): Magnificat Initium II. et VIII. Toni 7.Michael Haller (1840-1915): Offertorium „Sacerdotes Domini“ 8.Joseph Renner (1868-1934): „Asperges me“ 9.Joseph Renner (1868-1934): „Ite missa est“. In Festis Solemnibus

Organ music for German hymns II, Christmas festive season I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas,including an insert with hymn texts. Content: Gelobet seist du, Jesu Christ (GL 130 ö, EL 23, EKG 15) 1. Balthasar Resinarius (1486-1544), song movement 2. Joachim Decker (†1611), song movement 3. Johann Sebastian Bach (1685-1750), song movement 4. Johann Georg Herzog (1822-1909), song composition 5 Caspar Othmayr (1515-1553), chorale bicinium 6 Elias Nikolaus Ammerbach (around 1530-1597), chorale arrangement 7th Lüneburg organ tablature (17th century), 2 chorale arrangements 8. Johann Friedrich Alberti (1642-1710), chorale prelude 9.Johann Sebastian Bach (1685-1750), chorale prelude 10.Gottfried August Homilius (1714-1785), chorale trio 11.Johann Christian Kittel (1732-1809), chorale prelude 12.Johann Georg Herzog (1822-1909), chorale prelude Es ist ein Ros entsprungen (GL 132, EL 21, EKG 23) 13.Michael Praetorius (1571-1621), song movement 14.Peter Piel (1835-1904), song movement 15.Johannes Brahms (1833-1897), chorale prelude 16.Peter Piel (1835-1904), chorale intonations 17.Emanuel Adler (1843-?), chorale prelude 18.Vinzenz Goller (1873-1953), chorale intonations Praise God, all ye Christians alike (GL 134 ö, EKG 21) 19.Johann Pachelbel (1653-1706), song movement 20.Johann Sebastian Bach (1685-1750), song movement 21.Johannes Zahn (1817-1895), song movement 22.Dietrich Buxtehude (1637-1707), chorale prelude 23.Andreas Nicolaus Vetter (1666-1734), Choral fughette 24.Johann Christoph Oley (1738-1789), chorale prelude 25.Johann Samuel Harsow (18th century), chorale trio 26.Hieronymus Florentinus Quehl (18th century), Fugue and chorale 27.Wilhelm Volckmar (1812-1887), chorale prelude

Old Bavarian organ music I - Upper Palatinate I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from the old Bavarian and Upper Palatinate. Content: 1.Hermann Erdelauer (before 1450): Three organ pieces 2.Urbanus Kungsprung (before 1450): Kyrie magnae Deus potnetiae 3.Sebastian Virdung (around 1465-around 1511): O heilge, unbefleckte, zart innige Jungfrau Maria. Song of Mary 4.Georg Forster (around 1510-1568): Timete Dominum omnes Sancti eius. Fuga in Omophonia 5.Georg Forster (around 1510-1568): O weh der Zeit. Bizinium 6.Caspar Othmayr (1515-1553): Vater unser im Himmelreich. Choralbizinium 7.Caspar Othmayr (1515-1553): Ach Gott, vom Himmel sieh darein. Choralbizinium 8.Caspar Othmayr (1515-1553): Wo Gott zum Haus nicht gibt sein Gunst. Choralbizinium 9.Caspar Othmayr (1515-1553): Nun freut euch, lieben Christen g'mein. Choralbizinium 10.Caspar Othmayr (1515-1553): Mit Fried und Freud fahr ich dahin. Choralbizinium 11.Caspar Othmayr (1515-1553): Wo Gott der Herr nit bei uns wär. Choralbizinium 12.Jobst vom Brandt (1517-1570): Oppressit reducem. Motet 13.Mathias Gastritz (†1596): Non es bonum, hominem esse solum.Motet for five voices 14.Paul Homberger (1560-1634): Wenn mich Sünd, Schmerz und Tod. Eight-part motet for double choir 15.Andreas Raselius (um 1562-1602): Christum wir sollen loben schon. Hymn setting 16.Andreas Raselius (um 1562-1602): Jesus Christus unser Heiland, der den Tod überwand. Hymn setting 17.Andreas Raselius (um 1562-1602): Nun freut euch lieben Christen g'mein. Hymn setting 18.Gregor Aichinger (1564-1628): Praesul Sancte Dei Udalrice. Fünfstimmige Motette 19.Marianus Königsperger (1708-1769): Praeambulum und Versetten vierter Ton 20.Marianus Königsperger (1708-1769): Aria quarti toni 21.Marianus Königsperger (1708-1769): Praeambulum et Fuga quarti toni

The organ in the church year IV - Marian feasts The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for Marian feasts. Content: 1. Buxheim Organ Book (15th century): Rorate coeli desuper. Introit: Marian mass Advent season 2. Philip ap Rhys (16th century): Felix namque es. Offertory: Marian Mass Christmas and Lent 3. Neresheim Organ Book (16th century): Salve sancta Parens. Introit: Marian Mass 4. Tablature by Fridolin Sicher (16th century): Ave Maria gratia plena. Offertory: Marian Mass 5. Hermann Erdelauer (15th century): Beata viscera Mariae. Communio: Marian Mass 6. Codex Nikolaus Apel (15th century): Quem terra pontus - Ave maris stella. Hymn: Matins on Marian feasts - Hymn: Vespers on Marian feasts 7. Buxheim Organ Book (15th century): O gloriosa Domina. Hymn: Lauds on Marian feasts 8. Manuel Rodrigues Coelho (before 1583-after 1623): Ave maris stella. Hymn: Vespers on Marian feasts 9. Christian Erbach (1570-1635): Ave maris stella 10. Jean François Dandrieu (1682-1738): Ave maris stella 11. Codex Nikolaus Apel (15th century): Alma redemptoris mater. Marian antiphon: Advent/Christmas 12. Tablature by Fridolin Sicher (16th century): Ave regina coelorum. Marian antiphon: Lent 13. Codex of St Emmeram (14th/15th century): Regina coeli. Marian antiphon: Easter/Pentecost 14. Giovanni Battista Fasolo (17th century): Salve Regina. Marian antiphon: Rest of the year 15. Buxheim Organ Book (15th century): Salve regina16th Neresheim Organ Book (16th century): Tota pulchra es amica. Alleluia verse: Immaculate Conception of Mary (8 December) 17 Codex Nikolaus Apel (15th century): Quod chorus vatum. Hymn: Maria Lichtmeß (2 February) 18 Glogau Songbook (15th century): Ecce concipes. Responsory: Annunciation of Mary (25 March) 19 Codex Nikolaus Apel (15th century): Assunt festa iubilae. Hymn: Visitation of Mary (2 July) 20.Hans Buchner (1483-1538): Quae est ista, quae ascendit. Responsorium: Assumption of Mary (15 August) 21. Glogau Songbook (15th century): Regina regnatium. Cantio: Mary Queen (22 August) 22. Adam of Fulda (around 1445-1505): Regali ex progenie. Antiphon: Birth of Mary (8 September) 23. Tablature by Fridolin Sicher (16th century): Virgo Dei Genitrix: Gradual verse: Seven Sorrows of Mary (15 September) 24. Buxheim Organ Book (15th century): O florens rosa. Antiphon: Feast of the Rosary (7 October)

Organ music of the Franciscans II The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Franciscans. Content: 1 P. Girolamo Diruta (* 1561): Toccata del XI. et XII. tuono 2. p. Girolamo Diruta (* 1561): Ricercare undecimo tuono 3. p. Girolamo Diruta (* 1561): Ricercare del duodecimo tuono 4. p. Girolamo Diruta (* 1561): Christe redemptor omnium (Christmas hymn) 5. p. Girolamo Diruta (* 1561): Ad coenam agni providi (Easter hymn) 6th P. Girolamo Diruta (* 1561): Contrapuncti (12 transposed church modes) 7. p. Girolamo Diruta (* 1561): Toccata di grado del primo tuono 8th P. Girolamo Diruta (* 1561): Toccata di salto buono del secondo tuono 9. p. Girolamo Diruta (* 1561): Toccata di salto cattivo del sesto tuono 10. p. Antonio Mortaro († 1620): Canzona detta l'Albergona 11. p. Antonio Mortaro († 1620) / p. Girolamo Diruta (* 1561): Canzona detta l'Albergona, Intavolatura diminuita 12. p. Antonio Mortaro († 1620): Fuga (I) a 4 13. p. Antonio Mortaro († 1620): Fuga (II) a 4 14. p. Antonio Mortaro († 1620): Fuga (III) a 4 15. p. Antonio Mortaro († 1620): Isti sunt qui venerunt ex magna tribulatione (motet for eight voices)

Organ music at the Habsburg courts - Vienna at the time of Emperor Leopold I The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music at the Habsburg courts in Vienna at the time of Emperor Leopold I. Content: 1.Johann Jakob Froberger (1616-1667): Toccata 2.Johann Jakob Froberger (1616-1667): Ricercar 3.Johann Jakob Froberger (1616-1667): Capriccio 4.Johann Jakob Froberger (1616-1667): Ricercar 5.Johann Jakob Froberger (1616-1667): Capriccio 6.Johann Kaspar Kerll (1627-1693): Toccata tutta de salti 7.Johann Kaspar Kerll (1627-1693): Canzona 8.Ferdinand Tobias Richter (um 1649-1711): Toccata und Versette im 1. Ton 9.Wolfgang Ebner (1612-1665): Fuge 10.Johann Joseph Fux (1660-1741): Sonata seconda 11.Johann Joseph Fux (1660-1741): Sonata sexta 12.Franz Mathias Techelmann (um 1649-1714): Toccata 13.Franz Mathias Techelmann (um 1649-1714): Canzona 14.Franz Mathias Techelmann (um 1649-1714): Ricercare 15.Alessandro Poglietti (†1683): Praeludium, Cadenza e Fuga primi toni 16.Alessandro Poglietti (†1683): Praeludium, Cadenza e Fuga secundi toni 17.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga terzii toni 18.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga quarti toni 19.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga quinti toni 20.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga sexti toni 21.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga septimi toni 22.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga oktavi toni 23.Georg Reutter d.Ä. (1656-1738): Canzone „Christ ist erstanden“

The organ in the church year III - between Christmas and Easter The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. Content: 1.Christian Erbach (1570-1635): Lucis creator optime. Hymn: Sundays 2.John Redford (um 1485-1545): Primo dierum. Hymn: Sundays 3.Codex Nikolaus Apel (15. Jh.): Alma redemptoris mater. Marian antiphon 4.William Blithman (†1591): Jesu redemptor omnium. Hymn: Christmastide 5.Jean Titelouze (1563-1633): A solis ortus cardine / Crudelis Herodes. Hymn: Christmas / Epiphany season 6.Fridolin Sicher (1490-1546): Ecce Maria genuit nobis Salvatorem. Antiphon: Circumcision of the Lord 7.Sebastian Hasenknopf (um 1545-nach 1597): Domine Dominus noster. Introit psalm: Name of Jesus 8.Thomas Preston (16. Jh.): Reges Tharsis. Offertory: Epiphany 9.Girolamo Diruta (16. Jh.): Hostis Herodes impie. Hymn: Epiphany 10.Hans Leo Haßler (1564-1612): Verbum caro factum est. Antiphon: Holy Family / Responsorial: Christmas 11.Orgelbuch von Str. Ulrich und Afra (Neresheim) (16. Jh.): Deus qui sedes. Responsorial: 2nd Sunday after Epiphany 12.Anonym (Englisch, 16. Jh.): Ex more docti mystico. Hymn: Lent 13.John Redford (um 1484-1545): Ex more docti mystico. Hymn: Lent 14.Buxheimer Orgelbuch (1465-1475): Ave Regina caelorum. Marian antiphon 15.Nicholas Carleton (16. Jh.): Audi benigne conditor. Hymn: Lent 16.Clemens non Papa (um 1510-um 1556) / Valentin Bakfarc (1507-1576): Circumederunt me. Introit: Septuagesima 17.Tibertio Massaino (vor 1550-nach 1609) / Bernhard Schmid d. J. (16./17.Jh.): Laetare Jerusalem. Introit: 4th Sunday of Lent 18.Nicolas le Bègue (1630-1702): Stabat mater. Hymn: Seven Sorrows of Mary 19.Simon Boyleau (16. Jh.) / Estevan Daca (16. Jh.): Deus Deus meus. Introit psalm: Palm Sunday 20.Guillaume Dufay (um 1400-1474): Vexilla regis. Hymn: Passiontide 21.Ludwig Senfl (um 1490-1550) / Sebastian Ochsenkhun (1521-1574): Vita in ligno. Passion motet 22.Giulio Cesare Arresti (1617-1692): Pange lingua. Processional hymn: Maunday Thursday 23.John Dunstable (um 1380-1453): Crux fidelis. Antiphon: Procession of the cross on Good Friday 24.Pierre Attaingnant (†1553): O vos omnes. Responsory: Holy Saturday