Editor: Ulrich Herrmann
Quartett-Spielbuch I
4 recorders (SATB | ATTB | ...)
- Order No. 3964
- ISMN: 979-0-2045-3964-2
- Size Bach size
- Number of pages 48 pages
- Kind of publication Playing score
- Instrumentation Recorder quartet in various instrumentations
- Editor Herrmann, Ulrich
- Level of difficulty medium
The Quartettspielbuch 1 presents a diverse selection of repertoire for recorder quartet and recorder ensemble. The collection encompasses works from the Renaissance, Baroque, Classical and Romantic periods, including music by Goudimel, Palestrina, Sweelinck, Hassler, J. S. Bach, Handel, Telemann, Mozart, Beethoven, Schubert and Brahms. The repertoire employs different recorder combinations, including SATB, providing varied registers, timbres and ensemble textures. Alongside arrangements of historical repertoire and well-known compositions, the volume also includes Ulrich Herrmann’s Fanfare. The collection is suitable for recorder quartet, recorder ensemble, chamber music, music education and concert performance, and provides repertoire for both pedagogical and artistic ensemble work.
O notre dieu (Psalm 8) – Claude Goudimel (c. 1514 – 1572)
Adoramus te (Giovanni Pierluigi da Palestrina | 1525 – 1594)
Intrada (Paul Peurl | c. 1560 – 1625)
Jauchzet Gott, alle Lande (Psalm 100) (Orlando di Lasso | 1532–1594)
Tu as este seigneur (Psalm 90) (Jan Pieterszoon Sweelinck | 1562–1621)
Cantate domino (Psalm 96) (Hans Leo Haßler | 1564–1612)
Prelude from the ‘Te Deum’ (Marc Antoine Charpentier | c. 1636–1704)
Chaconne from the ‘Tafelmusik’ (Johann Fischer | 1646–1716)
Fugue in C major ‘Dona nobis pacem’ (Mass in B minor) (Johann Sebastian Bach | 1685–1750)
March and Canzone from ‘Funeral Music for Queen Mary’ (Henry Purcell | 1659–1695)
March (Christian Friedrich Witt | 1660–1716)
Perpetuum mobile, from the suite of the same name (Georg Philipp Telemann | 1681–1767)
Sinfonias from the opera ‘Ariadne’ (Georg Friedrich Handel | 1685–1759)
Sinfonias from the oratorio ‘Jephtha’ (Georg Friedrich Handel | 1685–1759)
Largo from the opera ‘Xerxes’ (Georg Friedrich Handel | 1685–1759)
Scherzo ‘in fugato style’ (Antonio Salieri | 1750–1825)
Rondo from ‘Pantalon and Columbine’, K. 446 (Wolfgang Amadeus Mozart | 1756–1791)
Ave verum Corpus, K. 618
March from the Overture to ‘King Stephen’ (Ludwig van Beethoven | 1770–1827)
Andante from ‘Death and the Maiden’ (Franz Schubert | 1797–1828)
The Elephant from ‘The Carnival of the Animals’ (Camille Saint-Saëns | 1835–1921)
Waltz Op. 39, No. 15 (Johannes Brahms | 1833–1897)
Tango (Isaac Albéniz | 1860–1909)
Fanfare (Ulrich Herrmann | b. 1944)
